Pedro Marzialetti

Рождение : 1914-01-26, Bahía Blanca, Buenos Aires, Argentina

Смерть : 2004-01-24

История

Pedro Felipe Marzialetti was a cinematographer and cameraman linked to the cinema of his country for many years. He was one of the most important cameramen and cinematographers in the early Argentine talkies and collaborated with the most prestigious filmmakers on almost 200 films.

Фильмы

La clínica loca
Director of Photography
Paraíso Relax (Casa de Masajes)
Cinematography
Mujer-Mujer
Director of Photography
A divorced couple fight over a bankrupt company, while a young woman poses naked for a painter as revenge, an actress rejects a businessman and a model kidnaps her captor.
Los taxistas del humor
Director of Photography
Three stories in which one of the protagonists is a metered car driver.
Women's Reformatory
Cinematography
Laura Regueira is wrongly accused of the murder of her boyfriend, he was killed by a band of thugs the night they were sharing a romantic moment. In the woman's reformatory Laura, besides of having to endure the life of prisoner, will have the chance of prove her innocence, with the help of a police officer who believes she's innocent Laura has the chance of uncover a band involved in drug traffic. These delinquents also use the women captive in the penitentiary as prostitutes.
Visión de un asesino
Cinematography
An important paleontological discovery causes a series of crimes.
Más allá de la aventura
Cinematography
A French reporter travels to Iguazú Falls, where a local has found an object that may or may not be a fragment of a UFO.
Una viuda descocada
Director of Photography
The attractive, exuberant and beautiful Flor Tetis Soutien de Gambeta (Isabel Sarli), an ostentatious woman who kills men, has just been widowed for the eighth time. All her fortune was fading little by little and she now she is about to be ruined. But suddenly he sees her good luck reappear: A little canillita (newspaper seller), Pepe Mangiabróccoli (Pepe Marrone), with a good heart, who suddenly becomes a millionaire by earning the prode and falls in love with her.
El profesor erótico
Producer
The nephew of a sexologist must take care of his uncle's clients.
The Inquisitor
Cinematography
Peruvian Argentine co-produced exploitation dealing with occultism, secret cults and burned corpses.
Difunta Correa
Director of Photography
Allá en el Norte
Cinematography
An Italian teacher who revalidated her title in Argentina is assigned to a school in Jujuy.
He nacido en la ribera
Director of Photography
A born soccer player leaves his town and his family to become a professional footballer. He has stardom, money, and a beautiful model, but realizes he left behind the important values that helped him achieve his success.
¿De quiénes son las mujeres?
Director of Photography
Cómo seducir a una mujer
Director of Photography
A shy young man has trouble relating to women and asks an extravagant relationship counselor for help.
Cosquín, amor y folklore
Director of Photography
In a couple who travel to Córdoba for their honeymoon, the folklore enchants her and bores him.
Santiago querido!
Director of Photography
A rich man protects an orphan and her donkey but she must be sacrificed as a result of an accident
Fuego en la sangre
Cinematography
In a rural setting, the chronicle of a woman with too many love demands.
El perseguidor
Cinematography
The story of a saxophonist with delusions of persecution that is being destroyed little by little by means of alcohol, drugs and sex. A story by Cortázar inspired by the life of Charlie Parker, it shows a fragmented narration and remarkable formal aspects.
El último montonero
Cinematography
The last actions of the Riojan caudillo Chacho Peñaloza until his death and beheading.
Allá donde el viento brama
Director of Photography
The action takes place in Comodo Rivadavia, and reenacts a 1907 mission lead by José Fuchs, who was supposed to find water but found oil instead.
El terrorista
Director of Photography
El barro humano
Camera Operator
A marital conflict reaches the courts and becomes public comment.
Vida nocturna
Camera Car
A cabaret in Buenos Aires on Christmas night.
Gray neighborhood
Camera Car
The film refers to the "gray neighborhoods", called in Argentina "villas miseria", in which the less qualified workers or those who have recently arrived from the rural areas live in the industrial cordons.
Mercado negro
Camera Operator
A policeman discovers that his girlfriend's father heads a drug smuggling band.
Sombras en la frontera
Cinematography
Episodes of the action of the gendarmerie against smuggling.
La culpa la tuvo el otro
Camera Car
The adventures of a movie stuntman when the actor he was supposed to replace is murdered.
Así es la vida
Assistant Camera
The history of a Buenos Aires family over three decades.