Erwin Baron

As of 2006, this is a lost film.

As of 2006, this is a lost film.

A little girl falls into the hands of a hypnotist the morning after the assassination of a jeweler. A visitor of the uncomfortable host confesses himself as the perpetrator, the girl can testify and delivers the two villains of the police.

A little girl falls into the hands of a hypnotist the morning after the assassination of a jeweler. A visitor of the uncomfortable host confesses himself as the perpetrator, the girl can testify and delivers the two villains of the police.

In the wild, hardly explored mountains of Kurdish country lives the mysterious society of the Jesidi , who are called the devil worshipers by their opponents. In these mountains, shaded by dark fir trees, revenge and hatred reign and constant struggle between the countless races and sects. Strange festivals unite the fervor of thousands, crowned by the dramatic sacrificial death of one of their holy men. And yet, even in these pictures, which are filled with tremendous passion, there is no lack of warm humor and a cheerful, strong forgiving nature that leads everything to a liberating end. The film is believed to be lost.

Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.

Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.

Кара Бен Немши бросается на помощь персидской туристической компании, подвергшейся нападению курдов. Это внешняя структура, рассказанная одним из спасенных. С этим связана мечта Кара Бен Немши. В нем Мара Дуриме позволяет ему оглянуться через мистический кристалл на ранние дни мусульманской религии.

Кара Бен Немши бросается на помощь персидской туристической компании, подвергшейся нападению курдов. Это внешняя структура, рассказанная одним из спасенных. С этим связана мечта Кара Бен Немши. В нем Мара Дуриме позволяет ему оглянуться через мистический кристалл на ранние дни мусульманской религии.

The story concerns a sculptor who visits a fishing village, where he marries a fisherman's daughter who dies in childbirth. Grief-stricken, he returns to the city, where in a Vertigo-like moment he sees his dead wife's lookalike - an opera singer. He later becomes jealous and strangles her with the tresses of his dead wife.

The story concerns a sculptor who visits a fishing village, where he marries a fisherman's daughter who dies in childbirth. Grief-stricken, he returns to the city, where in a Vertigo-like moment he sees his dead wife's lookalike - an opera singer. He later becomes jealous and strangles her with the tresses of his dead wife.

The story concerns a sculptor who visits a fishing village, where he marries a fisherman's daughter who dies in childbirth. Grief-stricken, he returns to the city, where in a Vertigo-like moment he sees his dead wife's lookalike - an opera singer. He later becomes jealous and strangles her with the tresses of his dead wife.

The film depicts the early life of the reformer Martin Luther and was produced by the Berlin and Vienna-based production company Rubin-Film. The premiere took place on September 1 1913. The showing of the film in Austria was banned because the film was likely to offend religious sensibilities. On April 20, 1921, following a complaint from the producer Báron, this decision was overturned by the film inspection authority with the restriction that the film “may not be shown in front of young people”.

The film depicts the early life of the reformer Martin Luther and was produced by the Berlin and Vienna-based production company Rubin-Film. The premiere took place on September 1 1913. The showing of the film in Austria was banned because the film was likely to offend religious sensibilities. On April 20, 1921, following a complaint from the producer Báron, this decision was overturned by the film inspection authority with the restriction that the film “may not be shown in front of young people”.

The film depicts the early life of the reformer Martin Luther and was produced by the Berlin and Vienna-based production company Rubin-Film. The premiere took place on September 1 1913. The showing of the film in Austria was banned because the film was likely to offend religious sensibilities. On April 20, 1921, following a complaint from the producer Báron, this decision was overturned by the film inspection authority with the restriction that the film “may not be shown in front of young people”.

The film depicts the early life of the reformer Martin Luther and was produced by the Berlin and Vienna-based production company Rubin-Film. The premiere took place on September 1 1913. The showing of the film in Austria was banned because the film was likely to offend religious sensibilities. On April 20, 1921, following a complaint from the producer Báron, this decision was overturned by the film inspection authority with the restriction that the film “may not be shown in front of young people”.

Possibily a transposition from Johann Nestroy's 1835 parody play "Weder Lorbeerbaum noch Bettelstab", or maybe "Lorbeerbaum und Bettelstab; oder, Drei Winter eines ..." by Karl von Holtei.

Possibily a transposition from Johann Nestroy's 1835 parody play "Weder Lorbeerbaum noch Bettelstab", or maybe "Lorbeerbaum und Bettelstab; oder, Drei Winter eines ..." by Karl von Holtei.

Possibily a transposition from Johann Nestroy's 1835 parody play "Weder Lorbeerbaum noch Bettelstab", or maybe "Lorbeerbaum und Bettelstab; oder, Drei Winter eines ..." by Karl von Holtei.