Director
If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.
Director
Minjung Kim's (100ft) consists of a single uninterrupted shot, lasting an entire 100ft roll of 16mm film, as two figures with different sized feet traverse a vast, striated landscape.
Director
The physical length of our body turns into the temporal measurement on film.
Producer
One spring day when the autumn colors had filled, three members of the movie club suddenly decide to borrow a senior's car and take a trip to an isolated village in Mountain Nae-jang. Being their first trip there, they get lost a little and witness a terrible accident and they pick up a navigation device nearby. The kind voice on the device leads them to their destination but they end up somewhere they never expected. They decide to take a break and find a piece of flat stone to grill some meat on but they realize the stone was a gravestone and hurriedly run away in their car. Their tragedy starts when someone jumps out from nowhere and is hit by their car
