Editor
50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?
Editor
Колумбия, берег Магдалены Медио, 2002 год. После долгой ночной рыбалки Хосе возвращается в свой дом, стоящий в глубине леса, и обнаруживает, что какие-то военные убили двух его сыновей, Дионисио и Рафаэля, и сбросили их тела в реку. Хосе отправляется на поиски подходящего места для захоронения, чтобы измученные души сыновей могли покинуть этот мир. На борту своей лодки Хосе открывает для себя магию страны, разорванной на мелкие части.
Editor
Everyone calls him Kev, this pale-looking redhead, who a social worker found, as a child, locked in a bedroom where he had only rays of sunshine to play with. Now a teenager, Kevin suffers from a form of autism so severe that the majority of so-called specialised institutions have long refused to take him in. Clémence Hébert followed him with her camera, from one place to another. She, who is gifted with speech and he, who lives without, tamed each other as peers with a lens as the only medium of recognition, which captures what palpitates, appears, withers, and recommences. A discontinued but living link.
Editor
The walls of a prison. The voices and cries of the prisoners escape from the litany of days.
Editor
The calm and tranquil waters of Colombia's Magdalena River flow silently past the small villages located along its bank yet, beneath the quite surface, are dark secrets and haunting narratives. This poetic tale begins with the locals' stories of Mohan, the feared river god known to lure fishermen into the water's depths, entangling their nets and stealing their fish. In time, a more frightening reality emerges, one that even the powerful Mohan now hides from, as the stories shift to the violence inflicted upon residents by Colombia's paramilitaries. Recounting the memories of lost loved ones who now rest beneath the surface of the Magdalena, this documentary is the second entry in the Campo Hablado trilogy.
Sound Editor
Riva is a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline. Wads of cash in hand and out for a good time, Riva is soon entranced by beautiful night club denizen Nora, the kept woman of a local gangster.
Editor
Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.
