Barbara Simon

A surrealist tale set in the East German village of Stalina.

1934, Germany. Jan is a 13 year old boy, who is raised without a mother. His father, a communist, is accused of a political murder, and predicted to be shot by the police when he was on the run. Jan lives with his aunt and finds a friend, Max, who wants to help him to find out what really with his father happened. During a conspirative gathering Max is shot by SA (Nazi paramilitary) and Jan succeed to escape in a barge. Erika, the daughter of the captain of the barge, and a boatman hide him. They try to help Jan to escape from police and find his father, who really survived.

Two best teenage friends spend the summer holidays together in a village. Then a good looking teenage boy appears.

Elizabeth is an open-minded young person - curious and unbiased. She is sixteen, goes to secondary school and things are really going well, not least because her father, a Party member, occupies a privileged position. But then the father suddenly dies. Elizabeth feels lonely and abandoned, all the more so because her brother has long since severed all ties with his father.

This quirky episodic comedy weaves together three plotlines centered around the employees of a car garage, with some unexpected fairytale elements to get things moving. A woodland fairy convinces shy bookkeeper Piel to suddenly start driving his Trabi far above the speed limit. Manager Neumann sells his soul to a black cat in order to purchase a more respectable vehicle. And a spirit named "Car Accident" offers to warn owner Sengebusch about upcoming traffic accidents so he can make money by always being the first on the scene.

Little Sabine has spent her childhood in an orphanage after her parents died in a car accident. When one of the women in charge at the orphanage, Edith, leaves to have a baby, Sabine runs away, because Edith was the only adult there she could trust. She then wanders through the city to find someone to take her in. She meets a lot of people on her journey, but she seems out of place everywhere she goes until, at last, she realizes that there is a special place where she belongs.

Nine years old Flori must deal with a lot of problems after his father leaves the family.

Film by Bernhard Stephan.

A group of children are trying to organize a pioneers detachment.

A funny adventures of a two young boys who are trying to rebuild the ship called "Emma" for their friend - the old captain.

A family comedy about thirteen years old Bernd and the problems he faces after his family moving to Rostock.

Hoffi is starting fresh after his release from prison. He travels with his brother to different construction sites in search of Urban, an acquaintance and role model he met during a brief hospital stay. Along the way, Hoffi meets Gila, who sees beyond his past in prison. Despite disapproval from her family, Gila decides to build a relationship and future with Hoffi, but Hoffi initially hesitates at this responsibility. It takes the encouragement of his workers’ brigade for Hoffi to realize his mistake and give his relationship with Gila a chance.

Курт Хартунг — исконный берлинец, страдающий на Восточном фронте из-за самодурства майора Штекбека, попадает в русский плен. Не питая никаких симпатий к нацистам, он радуется тому, что война для него закончена. Но не тут-то было, русским срочно требуется язык с той стороны, а обычный ефрейтор для этих целей мало подходит.

The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.