Rawshan Zamil

During the 1947 partition of Bengal, a man and a woman cross a river to begin life anew. Their journey manifests many roles against the backdrop of some horrific events and loss of life.

In this tragic-comic study of religious hypocrisy, a disreputable cleric convinces villagers that their community is home to a famous holyman's grave.

After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma of whether to migrate from the land in which they have been living for centuries. But Shashikanta Sengupta, an eccentric lawyer, stubbornly refuses to leave his motherland. Widower Shashikanta has two children, Minoti and Bidyut. Anuprava Devi is an affectionate old aunt who lives with the family. The family has a house in Narail, a small provincial town on the bank of the Chitra river. Some Muslim neighbors eye Shashaikanta's house. But the family refuse to migrate. Shashikanta's children Minoti and Bidyut are friends with the neighboring Muslim children- Badal, Salma and Nazma. Minoti and Badal become more than friends. The children grow up.

Director: Sheikh Niamat Ali Writers: Sheikh Niamat Ali (dialogue), Sheikh Niamat Ali (screenplay) | Stars: Humayun Faridi, Bobita, Dolly Anowar

A poor family returns to their village from Dhaka after The Great Bengal Femine 1943. This movie centers on their struggling life during the World War II period.

A brilliant film made by Amjad Hossain on the oppressed have-nots of rural Bangladesh, Golapi Akhon Train-e, enjoyed a phenomenal success. The movie showcasing talented actors Rowshan Jamil, Bobita, and Anowara also brought to attention the issue of inequitable treatment of women.

В рыбацкой деревушке на берегу реки живет девочка Басанти. Она готовится к ритуалу Maghmandal, означающий окончание зимы и переход её в зрелый возраст. Два друга Кишор и Субол проявляют привязанность к Басанти. Через несколько лет, вместе с дядей они отправляются на рыбалку и желая продать поскорее товар оказываются в другой деревне. Там, на празднике Кишор спасает Раджар — дочь местного старосты деревни и по воле обстоятельств становится её спутником жизни. Но союз оказывается недолговечным. По дороге назад, бандиты крадут молодую жену. Кишора ждет безумие. Но найдется ли Раджар? Как сложится судьба остальных героев? Что же будет с Басанти и Суболом? Что будет с жителями деревни? Что будет с рекой?

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

A lawyer, son of a local decorator wedding cook, unwillingly got married with a rich father's goofy daughter & bring curse to his family.