Director
Editor
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Cinematography
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Himself
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Director
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Santoni
Бежав из серого туманного Лондона от неудачного брака, красавица Джулия, взяв с собой двух дочерей, отправляется в Марокко на поиски счастья — и любви. 8-летняя Би и 6-летняя Люси наслаждаются полной свободой в красочном Марракеше, а их мать ищет смысл жизни, путешествуя по стране в компании своего нового друга, обаятельного Билала.
Paul, Henrique
Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.
The journey on the edge of an ocean of a poet, two terrorists, a film-maker, a reporter and two lovers, in search of a ship leaving for Nowhere. A ship like hope for all those who wait: the misguided, the misaligned, the displaced, the exiles that we are at certain times, that we are one day or another, a little earlier, a little later.
Verdier
A European man sets up a business in Korea to deal in snuff films. The police quickly catch on to his dealings and attempt to hunt him down.
Hébert
A woman is detained at La Conciergerie. She's 37 but her hair are already white. She's suffering from terrible haemorraghe. Her name is Marie-Antoinette of Lorraine, from Austria, and she's living her last four days.
King
Ученый с Земли далекого и светлого будущего заброшен на планету, живущую по средневековым законам, под видом местного аристократа Руматы Эсторского. Его цель — быть сторонним наблюдателем и записывать получаемую информацию. Но, видя кругом чудовищную несправедливость, он решает взять в руки меч и вступить в бой…
Bel-il
French thriller written by Jean-Claude Carriere.
Producer
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Writer
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Editor
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Director
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Editor
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
Cinematography
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
Producer
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
Director
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
Directed by Moumen Smihi.
Le jeune homme
A woman revisits long-suppressed nightmares as she is being chased through an abandoned warehouse by a strange man.
Snake
На гангстера Джимми, ограбившего инкассаторскую машину, идет охота полиции по всей стране. С чемоданом, полным денег, он скрывается на отдаленной ферме. Здесь бандит, видавший на своем веку разное, попадает в последний переплет.
Nicolas
A mad scientist, Dr. Lerne, performs organ transplants not only between humans and animals, but also with plants and even machines ...
Edith runs a left-wing journal and when her marriage starts to fall apart (her husband is unfaithful), she can find no solace in her son who is more of a problem than an asset. On top of heading toward a divorce and being unable to handle her son's asocial tendencies, her neurotic uncle moves in, demanding personalized care. Just to keep her sanity intact, Edith starts writing in her diary to vent her own feelings and ambitions. As her son goes from bad to worse over a five-year period, it turns out that Edith's diary may be of more benefit than she could have ever imagined. In this adaptation of Edith's Diary by Patricia Highsmith, director and writer Hans W. Geissendoerfer has maintained Highsmith's psychologically tormented characters while changing the location and time of her story from the U.S. of the 1960s to Germany in the early 1980s.
Vic
Wisconsin farm girl Elizabeth Carlson leaves family and her English teacher lover behind and escapes to New York. There she soon makes a career for herself as a fashion model. During a vernissage she's approached by a mysterious man whose motives are unclear...
Music
Gérard Lechômeur
Docteur Moreau
Passionate about music, Julien nevertheless works with a sculptor. One day, he meets young Hermine at a religious bookseller.
Julien
Две женщины, Мари и Батист, кружат странными траекториями в Париже, попадают в странные ситуации, живут внутри какой-то тревожной атмосферы – вязкой, холодной, параноидальной.
Philippe
Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.
Theo
Молодая Мария остается одна в Париже: единственного ее близкого человека посадили в тюрьму. Марии берется помочь английская супружеская пара, но, как оказывается, не бескорыстно...
Xavier de Royan
A rich business man falls for a young girl and vows to fulfill her dream of becoming a punk rock star.
Allan
After a long journey, Alain arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic.
A short film that can act as a companion piece to Le Pont du Nord.
Director
Victor
A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.
In a desolated world, a martyr is steered by a man giving orders from a control room. His henchmen torture the resistance fighter. Are the parts played by victim and hangman defined as clearly as it seems? Ange Leccia offers a political reflection about the power of images and their manipulative force. —ubu.com
Writer
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
Producer
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
Director
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
Ivo, le bégue
Eva is a singer in a Noah's Ark themed nightclub, where the guests wear animal masks. She is approached by a stranger who claims to know her and to remember her singing Mozart.
Olivier / Le clerc
Roland des Roncesvalles is a legendary knight from the age of chivalry in France. In the 11th-century epic La Chanson de Roland, he is depicted as a key figure in halting the advance of the Arabs into France. In this story, the 10th-century legend is staged by a group of 12th-century pilgrims using the 11th-century poem. Their acting is interrupted by a violent peasant uprising, which kills many of the pilgrims. However, one of the survivors, is converted to the peasant cause and later speaks out in favor of more just treatment for the downtrodden.
Paul
Молодой писатель возвращается с войны.
Pierre
Пьер, молодой человек из Брюсселя, потерял работу. Не говоря ничего Барбаре, женщине с которой он живет, Пьер стал карманником. Его сообщником становится молодой тунисский иммигрант. Каждое воскресенье они встречаются в заброшенном автобусе, где делятся добытым за неделю. Однажды Пьер обнаруживает своего сообщника мертвым в их тайном месте. Пьер понимает, что почти ничего не знает о своем мертвом друге. Забрав его документы, Пьер отправляется в Тунис, чтобы выяснить, кем был его друг на самом деле.
Saint-Just
A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one
A document of the mental universe of a schizophrenic, played by an actor.
Marcel Rayman
A company wants to make a play about Mont Valerien resistant fighters who were shot by the Nazis and the French collaborators.
Editor
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Producer
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Writer
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Director
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Potemkin Sailor
Мамаша мультимиллионера выбирает на телеконкурсе идеальную девственницу для своего сыночка, не составившую, однако, счастья ни ему, ни себе. В то же время по водам символизма плывет задрипанный буксир с головой Маркса на носу и с опьяненной революционной борьбой хиппующей девицей на борту, к которой вскоре присоединяется сексуально озабоченный матрос с «Потемкина»…
Antoine Desvrières
Pablo
Главный герой фильма — Гарри Галлер, одинокий уже стареющий человек — ему исполнилось 50 лет. Он живёт один без семьи, ему как степному волку она не нужна. Он презирает мещанство, но с другой стороны ему волей-неволей приходится использовать все прелести мещанской жизни — деньги, одежду, а иногда и развлечения. Гарри страдает своеобразным раздвоением личности. Он борется с самим собой, считая себя сверхличностью и боясь скатиться к мещанству. В этой борьбе он почти доходит до самоубийства, от которого его случайно спасает девушка по имени Гермина. Сможет ли новая знакомая изменить внутренний мир Гарри?
A young man recalls his affair with a young French woman who traveled with him across the United States. They began to drift apart during the trip, and eventually each had affairs with other people before realizing that their relationship had run its course.
Horseman / Archer
A composition of symbolic, surreal and almost mystic images.
Count Mateo Tiepolo
Stefano Argenti, an ambitious advertising executive, meets a curious hippie named Count Mateo Tiepolo and they form a strange bond. Having gained Stefano's confidence, Tiepolo reveals that he wants to kill his domineering brother. He suggests that Stefano carry out the killing and in exchange he offers to murder Luisa, Stefano's wife who is a barrier to his career and his affair with Fabienne, a model. Argenti is more curious than shocked but decides to reject the bizarre offer. However, a short-time later, his wife is strangled to death by an intruder and he becomes the prime suspect. By withholding evidence that could prove his innocence. Mateo blackmails Stefano into keeping his part of the bargain. But there is a twist ...
A film by Yvan Lagrange.
Pasqualino 'Lino' Semirama
Слабовольный доктор Марчелло Клеричи, получает от фашистских властей задание отправиться во Францию с тем, чтобы организовать и осуществить ликвидацию своего учителя, профессора-антифашиста.
Michele
Barbara (Monica Vitti) is a journalist investigating the local counterculture who becomes involved, after an unpleasant start of battery and stalking, with Pierre Clémenti's louche all-around dropout.
Il poeta futuristico
Comedy set at the time of King Umberto I of Monza (Italy) about Maria Sarti, aka Ninì Tirabusciò, actress/singer who caused a scandal with her raunchy dancing.
Attila
A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.
Shepherd
Метафорический фильм о судьбе диктатора. Структура повествования в этом фильме-сказка, довольно свободная. Это история короля фантастической страны Эльдорадо, который из освободителя превратился в жестокого угнетателя и за это был наказан символическим персонажем, олицетворяющим неумолимые Смерть и Время, а точнее сам Ход Истории.
Tiresia
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.
Cannibale
В фильме два параллельных сюжета. Первый происходит в наше время. Юлиан (Жан-Пьер Лео), сын богатого немецкого промышленника Клотца из Рура (Альберто Лионелло), испытывает патологическое влечение к свиньям. Они оказываются для него намного более привлекательными, чем его невеста Ида (Анна Вяземски). В конце концов свиньи съедают скотоложца. Второй сюжет происходит в «таинственной мифической пустыне, неведомо когда и где.
Jesus
30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...
Angel of Death
Двое мужчин, полубродяги-полупаломники, возвращаются из Франции в Испанию. На пути они встречают целую галерею сомнительных и странных персонажей и оказываются вовлеченными в эротические, таинственные и сверхъестественные события.
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
Director
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
A Brechtian thriller about an intellectual's transformation into a street-fighting man.
Himself
An experimental and poetic portrait of a woman.
A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
Giacobbe I and II
Джакобе, молодой преподаватель литературы, увлечён театром жестокости Арто и пластическими возможностями киноэкспрессионизма. Сознание героя, то и дело декламирующего манифесты Арто и Годара, постепенно распадается, а его тень обретает самостоятельное существование. Определить, где «настоящий» Джакобе, а где его копия, становится всё сложнее. Происходящее на экране начинает напоминать стандартную постановку театра жестокости.
Lallo
Юный Лалло приезжает в Милан после смерти отца, чтобы посетить его похороны. Лалло решает пойти по стопам отца и стать жиголо.
Pierre
A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
Charly le Surineur
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Cinematography
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
Editor
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
Director
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
Un acteur du cabaret (uncredited)
Poupée and her (so-called) brother Paulo share an apartment in Paris. They dream of becoming actors. In the meantime, life goes on, nothing happens, until Poupée meets François.
Benjamin
В роскошном замке графини де Валандри появляется ее дальний бедный родственник Бенжамен. Юноша красивый, наивный и невинный. Граф Филипп, тетушкин любовник и опытнейший сердцеед, становится его главным наставником в освоении науки страсти нежной. Впрочем, обучить Бенжамена премудростям любви на практике готовы и прелестные служанки, и обольстительные владелицы соседних поместий, и даже сама графиня.
Director
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
After having spent a year in Warhol's Factory, painter Olivier Mosset returned to Paris with an appetite for film and began hosting Super 8 nights in his apartment. UN FILM PORNO is a miniature sample.
Directed by a friend of Étienne O'Leary, this film missive, whose words are images, was held in very high esteem by Pierre Clémenti.
Cinematography
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Fedor de Miossens
Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.
Marcel
Верная жена и добропорядочная хозяйка Северина Серизи однажды решается на невероятный и совершенно аморальный эксперимент. Устав от собственной непогрешимости, она тайно поступает на работу в публичный дом некой мадам Анаис.
Но так как по вечерам и по ночам Северина продолжает играть свою привычную роль буржуазной кошечки, в борделе она получает имя «Дневная красавица».
Как любая проститутка она исполняет все желания своих клиентов. А затем возвращается к домашнему очагу.
Militiaman
1943 год. Группа французского Сопротивления получает из Лондона приказ освободить двенадцать человек, приговоренных немецкими оккупантами к расстрелу. Партизанский отряд проводит исключительную по дерзости операцию и освобождает пленников. Мчится по улицам города крытый грузовик, в кузове которого 13 бывших смертников. Откуда же взялся тринадцатый, и кто он, этот лишний человек?
Director
Bits + pieces.
Orsini's Partisan
A 1966 French-Italian film version made in Italy, titled L'uomo che ride, directed by Sergio Corbucci. This version features elaborate colour photography but a very low production budget. The main action is shifted to Italy and moved yesterwards in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. In this version, Gwynplaine is renamed Angelo (played by Jean Sorel). His disfigurement is represented as a single broad slash across his mouth, crude yet convincing. The story (which is attributed, in the movie credits, to the director, producer and others involved in making the film, but not to Victor Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias. At the end, Dea (actress Lina Sini) miraculously acquires her eyesight and Angelo undergoes surgery that completely reverses his disfigurement and renders him perfectly handsome.
Trois-Pommes
The struggle between a ruthless leader of a bank robbers - Raymond Pellegrin - and the cops who are determined to put him in jail for long.
Report on the young people of the yéyé period and pop music. Jerk at the Palladium, Beatles, press clippings, questions about the impact of fashion (long hair and accoutrements) and modernity, youth, change, freedom.
Pierre
A French sailor circa 1850, disembarks in a desert Atlantic island, and discovers a woman who had survived for many years her father and brother, dead while searching for mysterious valuables. The young couple discover paradise, and its end.
Francesco Paolo
В мае 1860 года в Италии разгорается гражданская война между республиканцами, сторонниками Гарибальди, и приверженцами правящей династии Бурбонов. Князь Фабрицио ди Салина, сицилийский феодал, образованный и мудрый аристократ-интеллектуал, с пониманием и пессимизмом относится к происходящим переменам. Поэтому, когда его молодой племянник Танкреди сначала вступает в ряды мятежников-гарибальдийцев, а затем становится офицером короля Савойского, дон Фабрицио не осуждает его. Сам князь Салина не хочет активно участвовать в политической борьбе. Он прекрасно осознает неизбежность происходящих больших перемен и чувствует, что его время «леопардов» и «львов» — уходит. «Я принадлежу к уходящему классу, я свободен от иллюзий и не способен к самообману, — говорит он. Мы — леопарды, львы. Те, кто придет на смену, будут шакалишками, гиенами».
Pierrot (uncredited)
Жюльетт – патологическая лгунья, обманывающая любого мужчину, плененного ее девичьей красотой. Влюбившись в зрелого мужчину, она дает клятву, что будет говорить только правду. Она уверяет его в своей любви, вот только он ей не верит.
Paco
The owner of a suburban boarding school is found murdered. The culprit will be unmasked thanks to the ingenuity and courage of the good Janine and a student, named Nadine.
