Associate Producer
Thibault, Isabelle and their son Jeremie board their sailboat Joshua to sail the world and live a new life. The Gulf of Aden is watched over by Somali pirates, and while stopping in Djibouti, the happy family meets Mike, a black they know nothing about but innately trust. Inviting Mike to board the ship, the quartet travels onward in their sailboat…
Producer
Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.
Director
Радикальная работа кинокооператива «Ансамбль живых и мёртвых» снята на Гаити, первом в истории государстве восставших рабов. Её режиссеры Луис Хендерсон и Оливье Марбеф вызывают призрак Туссена-Лувертюра, вождя революции, освободившей Гаити от власти Франции. Импровизационный театр сменяется сложной киноэссеистикой в духе Харуна Фароки, читающий письма Туссена закадр уступает рэпу, а созерцательные документальные кадры то и дело накладываются друг на друга, образуя нервный, взвинченный коллаж. Зачем нужны все эти эксперименты? Пока американская творческая интеллигенция талдычит о репрезентации, обращаясь к Голливуду как к большому брату, который должен представлять интересы меньшинств, гаитянские активисты создают образ своей идентичности собственными руками. И, конечно, показывают его зрителю без всяких коммерческих посредников — непричесанным, в сырой и сложной противоречивости.
Producer
"The Green Vessel" tells the journey and the story of an old man on a river. Like a storyteller, he shares with us a story: the tale of a scientist who discovers a contaminated river and tries to understand the sources of this problem. Accompanied by an artist and a young guide, he pursues his research in remotes territories covered by a large forest. As the old narrator continues his tale, he engages himself in a long journey between river and vegetation, a quest that connects him to his own story.
Producer
Группа браконьеров следует за двумя слонами в поисках мифического слоновьего кладбища, которое ведёт в таинственные земли, связанные со смертью и перерождением.
Producer
From Colorado, where he has chosen to live, Fouad Mennana begins to trace his late grandfather - Amara Mennana - an Algerian farmer expropriated from his land and deported to the prisons of French Guiana in 1926.
Producer
A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.
Producer
Set to a breath-like rhythm, Anna Marziano’s Beyond the One is an essayistic exploration of love’s various guises, considering different attempts at courtship, living together, and sustaining connections with people once they have died.
Producer
In the dark night, off the Comoros archipelago, Patron learns how to become « Commandant ». Soon he will take his first clandestine passengers to Mayotte.
Producer
A piece of blank white paper placed and pulsating before a camera’s lens attracts a crowd of passers-by in Tunis, the simplicity of the conceit slowly opening up to a profound reflection on the nature of cinema itself (both its creation and its collective viewing) while tracing the forms of a particular social and political landscape.
