Adriana Barbosa
История
Режиссер мексиканско-бразильского происхождения. В 2018 вышел ее первый полнометражный документальный фильм «Мадригал живущему поэту». Картина вошла в конкурс Международного кинофестиваля в Тирадентисе. Сфера ее интересов - традиции, связанные со смертью в разных регионах Мексики. Адриана Барбоса живет и работает в Сан-Пауло, Бразилии.
Writer
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Editor
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Director
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Screenplay
In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.
Director
In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.
Screenplay
Фильм «Костлявая» рассказывает про Арейли Васкес, женщину-трансгендера и лидера культа «Святых Мертвых» в Квинсе, Нью-Йорк. Каждый год Арейли устраивает праздник в честь «Костлявой» («La Flaca» как она любит себя называть). И с каждым годом ей всё сложнее выполнить обещания, данные десять лет тому назад.
Director
Фильм «Костлявая» рассказывает про Арейли Васкес, женщину-трансгендера и лидера культа «Святых Мертвых» в Квинсе, Нью-Йорк. Каждый год Арейли устраивает праздник в честь «Костлявой» («La Flaca» как она любит себя называть). И с каждым годом ей всё сложнее выполнить обещания, данные десять лет тому назад.
Director
“Madrigal for a Living Poet” is a chant to life, an aesthetic tribute to the writer Tico. Filmic reverie about the reflections that the character brings, is a film about memory, which brings to light not only the agonizing paths of remembering, but also its political, resistance force, which insists on reinventing everyday life and searching for lost meanings.
Director
Production Director
To start again. one has to destroy.
Mulher na Galeria Prado Jr.
A journey into the psyche of Atanásio, a doorman in Copacabana, confused while attempting to understand his desires and aspirations.
