Eduardo Crespo

Eduardo Crespo

Рождение : 1983-10-27,

История

Eduardo Crespo was born in Crespo, Entre Ríos, Argentina, in 1983. He directed the feature film “As close as I can” (2012) with support of Hubert Bals Fund and the documentary “Crespo (The persistence of memory)” (2016), both of them premiered in international festivals. He also co-directed, with Santiago Loza, the TV series “Twelve houses” (2014), awarded like Best Series in Argentina’s TV. He also worked as a Photography Director and Producer in numerous films.

Профиль

Eduardo Crespo
Eduardo Crespo

Фильмы

Friends on a Country Road
Director of Photography
A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.
The Delights
Director of Photography
High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.
The Delights
Camera Operator
High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.
The Delights
Writer
High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.
The Delights
Producer
High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.
The Delights
Director
High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.
Мы никогда не умрём
Producer
Родриго вместе с матерью отправляется в город — недавно скончался его старший брат. В этом спокойном месте им придётся столкнуться с тяжестью воспоминаний и раскрыть ужасную тайну смерти его родственника.
Мы никогда не умрём
Writer
Родриго вместе с матерью отправляется в город — недавно скончался его старший брат. В этом спокойном месте им придётся столкнуться с тяжестью воспоминаний и раскрыть ужасную тайну смерти его родственника.
Мы никогда не умрём
Director
Родриго вместе с матерью отправляется в город — недавно скончался его старший брат. В этом спокойном месте им придётся столкнуться с тяжестью воспоминаний и раскрыть ужасную тайну смерти его родственника.
Unlimited Edition
Cinematography
A cinematographic meeting of four writers who are also actors, directors, teachers and playwrights. This multiplicity of trades is related to the word and the common point of two episodes four that compõem or film. Four stories, four protagonists: two men, two women who reflect, in different ways, on writing, reading, the generational clash and the creative process.
Еще раз снова
Director of Photography
После рождения сына Ромина не может принять окончательное решение об отношениях с отцом ребенка и возвращается в дом к своей матери Монике. Полностью погружаясь в ее жизнь, героиня вновь ощущает себя дочерью и пытается понять, чего же она хочет на самом деле. Она вспоминает, что чувствовала раньше, когда у нее еще не было сына, к которому сейчас она испытывает огромную любовь. Ромине необходимо осознать, кто она такая. А для этого надо вернуться к своим корням и восстановить хотя бы часть своей семейной истории.
Краткая история зелёной планеты
Director of Photography
Таня узнает, что ее бабушка провела последние годы своей жизни в любящей компании иностранца. Вместе с двумя друзьями транс-женщинами они путешествует через сельскую Аргентину, чтобы вернуться к месту своего происхождения.
Malambo, The Good Man
Director of Photography
Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.
Toublanc
Writer
Toublanc
Producer
Otra madre
Director of Photography
A film about moments of affection and maternal protection, blurred family ties and labour injustices.
Crespo (La continuidad de la memoria)
Writer
After the death of his father, Eduardo Crespo embarks on a journey to film a movie as they would have done together. A film about Crespo, the town where they come from, poultry farming, and the relationship the father and son used to have. Now that the main character is no longer there, the film travels around the same places. Trying to put together, through the town collective memories and a personal memory, in order to reconstruct from all these details, the figure of that father who is not there anymore.
Crespo (La continuidad de la memoria)
Director
After the death of his father, Eduardo Crespo embarks on a journey to film a movie as they would have done together. A film about Crespo, the town where they come from, poultry farming, and the relationship the father and son used to have. Now that the main character is no longer there, the film travels around the same places. Trying to put together, through the town collective memories and a personal memory, in order to reconstruct from all these details, the figure of that father who is not there anymore.
AB
Editor
Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.
It’s Alright If I’m Lost
Director of Photography
Actors gather in an unknown French city for a 1-month workshop.
It’s Alright If I’m Lost
Producer
Actors gather in an unknown French city for a 1-month workshop.
El Lobo
Cinematography
The story reflects the life of several teenagers from a German colony in the province of Entre Ríos, some of whom want to leave, while others choose to stay in the village. Ferdinand, a young German who is in the colony to study his customs, disappears. This event will shock both young people and adults, as well as the police who will arrive to investigate.
Me perdí hace una semana
Producer
Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.
Me perdí hace una semana
Writer
Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.
As Close as Possible
Editor
Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.
As Close as Possible
Producer
Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.
As Close as Possible
Writer
Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.
As Close as Possible
Director
Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.
A Moment of Youth
Director
A moment of youth is a short film compilation that showcases nine up-and-coming directors from seven countries in five continents.
Hoy no tuve miedo
Producer
"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.
Hoy no tuve miedo
Director of Photography
"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.
Hoy no tuve miedo
"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.
Verano
Cinematography
Five challenging young men gather in a closed courtyard. The chords of a rock band emerge from the silence that the siesta emanates. Immutable, they play as time unfolds and loses the stability of the present.
Amaina
Writer
Two brothers await with their dying mother the precise moment that the rain gives them a break. The harvest has had its time to ripen and has begun to weaken. They would make a decision: stay there to take care of her or go out to do the job before the water destroys the crop.
Amaina
Director
Two brothers await with their dying mother the precise moment that the rain gives them a break. The harvest has had its time to ripen and has begun to weaken. They would make a decision: stay there to take care of her or go out to do the job before the water destroys the crop.
Pink Motherland
Production Supervisor
A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).
The Wind's Cave
Director