Director
These are the memories of a lost girlhood. When they were only five or six or ten years old, their parents snatched them from the playground and handed them to much older men to be married. They recall the violence and fear they were subjected to, the pregnancies at the age of eleven or twelve, becoming mothers when they were still little girls themselves. It was an open secret but one they put aside forever, because revealing it might tear their family apart, causing commotion and creating chaos. The memories of their tragic childhood never healed – they were simply suppressed for the sake of their children, their livelihoods, and their husbands. No more.
Director
As time draws closer towards the jail release of her violent husband, Kifaya Ayati, a resident of Acre, who has been brutally attacked several times, is looking for a way to survive. She paints women who have been harmed and murdered by their spouses and meets their sisters, mothers and daughters. Every meeting becomes a portrait of a murdered woman and an indictment against the Israeli society, police and courts.
