Payman Shadmanfar

Shakib is a homeless day laborer who never got over the loss of his wife and son in an earthquake years ago. Over the last couple of years, he has developed a relationship with a deaf and mute woman, Ladan. The construction site on which he works today turns out to be the set of a film about the atrocities committed by Hitler during WWII. Against all odds, he is given a movie role, a house and a chance at being somebody. When Ladan learns about this, she comes to his workplace begging for help. Shakib’s scheme to hide her goes tragically wrong and threatens to ruin his newfound status and what seemed to be the opportunity of a lifetime.

A young theatre company is rehearsing Macbeth in their director's home in Tehran. The director works with them from Paris over Skype. Their rehearsals are disturbed when the director's lifeless body shows up on their doorstep.

How does one visualise an amorphous idea, one that has become abstract to the point of obscurity? Landscape, real and imagined, provides the backdrop for a visual narrative, while sound, intertwined with a self-narrated monologue, adds a third dimension to this specific portrayal. Newsha Tavakolian is detached from the real world and yet achingly affected by it. An experimental take on a reality intensified by the emotional flare of PMS (Premenstrual Syndrome).

The story is about a family of three brothers and a sister in the suburbs of the city's poverty. Their elder brother owns a drug-producing kitchen and presides over the group, like a shepherd for sheep.

Farhad and Aalah have begun their new season, and this is the beginning of some other changes that will put them in the face of new issues ....

Известный своей принципиальностью и страдающий от неё патологоанатом оказывается между молотом и наковальней, когда однажды к нему на обследование попадает тело мальчика, обстоятельства смерти которого известны только ему одному.

A non-traditional wife and mother, Azar (Karimi) is first seen racing her dirt bike over a hilly track while her husband Amir (Azarang) and young daughter cheer her on. Co-equal with her liberal-minded husband in marriage and in their fledgling business venture, a café with a thriving carryout trade, she is forced to meet an unequal challenge in which the strict pecking order of a family dominated by misogynist uncle, a business loan with strings attached, a black sheep son with a hidden agenda, and a tragic accident add up to a scenario in which Azar is targeted as the unwilling sacrificial victim. (Gene Siskel Film Center)

Отношения Эмада и Раны безоблачны, и у них много планов на будущее. Днем Эмад преподает в школе, а по вечерам супруги увлеченно репетируют спектакль по пьесе Артура Миллера «Смерть коммивояжера». Однако семейная драма разворачивается не только на сцене, но и в реальной жизни, когда их новый дом из тихой гавани превращается в место преступления.

Молодой парень идет на фронт. Его мать тяжело переносит разлуку с сыном и с нетерпением ждет его возвращения с войны. Она не знает, попал ли сын в плен или убит.

Minoo takes her husband, Hamed, to meet his ex-sweetheart, sepideh. This meeting revives old memories...