Marc Silver

This animated short film taps into the deep pain of the pandemic, experienced by millions of people all over the world. With no going back to the way it was before, it invites its audience to dream up new stories to help guide our way forward as a species. Tackling COVID-19 has shown us that we can act collectively to protect each other and it is possible to create a better future. It has shown us that we are capable of the kind of action needed to flatten the other curves but to do so requires bold vision and investing in an equitable future. We are determined not to give in to fear or to lose hope. Even in times of uncertainty, Amnesty will continue to call out human rights violations wherever we see them.

This animated short film taps into the deep pain of the pandemic, experienced by millions of people all over the world. With no going back to the way it was before, it invites its audience to dream up new stories to help guide our way forward as a species. Tackling COVID-19 has shown us that we can act collectively to protect each other and it is possible to create a better future. It has shown us that we are capable of the kind of action needed to flatten the other curves but to do so requires bold vision and investing in an equitable future. We are determined not to give in to fear or to lose hope. Even in times of uncertainty, Amnesty will continue to call out human rights violations wherever we see them.

It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?

The conflict between the Colombian authorities and the marxist FARC guerrilla broke out in 1964, and in 2012 peace negotiations started behind closed doors in Cuba. Featuring unique access to central figures on both sides, To End a War tells the story of the war and the negotiations, focusing on the challenge of establishing peace in a country where the majority of the population has never known anything but war.

The conflict between the Colombian authorities and the marxist FARC guerrilla broke out in 1964, and in 2012 peace negotiations started behind closed doors in Cuba. Featuring unique access to central figures on both sides, To End a War tells the story of the war and the negotiations, focusing on the challenge of establishing peace in a country where the majority of the population has never known anything but war.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

События развернутся вокруг неопознанного тела, которое находят на границе США и Мексики. На нём, как отличительный признак, найдена только татуировка в виде надписи "Даяни Кристол".

This short documentary reviews the lives and experiences of mexican and centroamerican migrants as they try to reach the US border.

This short documentary reviews the lives and experiences of mexican and centroamerican migrants as they try to reach the US border.