Female vampire attacks her victims, mostly males.
Miriam is being buried under the gaze of her husband Tato, friends and mother. This accuses the son-in-law of not having been a good husband; if it had been, Miriam wouldn't have died in a motel with another. But, according to friends Tônia and Tom, the deceased was experiencing a strong nymphomania crisis, hence taking advantage of her husband's absences, who, as a doctor, worked at night at the hospital. Tact finds it hard to conform to what happened. At the same time, Tônia reveals herself sick of her marriage to the voyeur Raul, while the transvestite Jessica, also separated from her husband Roberto, misses the time when she was Zezinho, when she had relations with the peasant Celso. One by one, everyone recalls passages from their lives and the reasons why Miriam would have died.
In a broken-down hospital, nurses, doctors and patients take part in a large orgy. Explicit sex scenes with meat (beef) scenes in one of the lowest films of the genre.
Three girls' sexual adventures of all kinds: heterosexual, homosexual, and transsexual.
A millionaire who is dying of AIDS, reunites with his former sex partners in order to find out who infected him.
Rui decides to value his motel and for that he creates a formula in which he believes to offer surprises to his customers, surprises that are presented at the motel's reception. He invites a receptionist to help him, who becomes very fond of him. René, with a telescope, accompanied by the receptionist, manages an inflatable dinghy on the lake that borders the motel and looks through it and through mirrors properly placed in the chalet's stained-glass windows at the various situations that unfold from the surprises offered to customers.
