Cesar Gananian

It's just another luxury car being stolen on a street in São Paulo... or not. A thief easily gets into the SUV parked on a quiet street, but when he tries to get out, he discovers he is trapped, without water or food.

In the film’s own words, "the objective is to recreate in five chants the synergy that generates revolutions." In 2018, a wave of protests toppled the political oligarchy that perpetuated power for over a decade in Armenia, in what became known as the Velvet Revolution. Thoughtfully staged and split into separate acts, or "chants," each is a film unto itself—microcosm, self, home, society, and macrocosm. Experimental elements are used to suggest connections through images, while voiceovers and text overlays provide historical and social context to the images.

In the film’s own words, "the objective is to recreate in five chants the synergy that generates revolutions." In 2018, a wave of protests toppled the political oligarchy that perpetuated power for over a decade in Armenia, in what became known as the Velvet Revolution. Thoughtfully staged and split into separate acts, or "chants," each is a film unto itself—microcosm, self, home, society, and macrocosm. Experimental elements are used to suggest connections through images, while voiceovers and text overlays provide historical and social context to the images.

In the film’s own words, "the objective is to recreate in five chants the synergy that generates revolutions." In 2018, a wave of protests toppled the political oligarchy that perpetuated power for over a decade in Armenia, in what became known as the Velvet Revolution. Thoughtfully staged and split into separate acts, or "chants," each is a film unto itself—microcosm, self, home, society, and macrocosm. Experimental elements are used to suggest connections through images, while voiceovers and text overlays provide historical and social context to the images.

In the film’s own words, "the objective is to recreate in five chants the synergy that generates revolutions." In 2018, a wave of protests toppled the political oligarchy that perpetuated power for over a decade in Armenia, in what became known as the Velvet Revolution. Thoughtfully staged and split into separate acts, or "chants," each is a film unto itself—microcosm, self, home, society, and macrocosm. Experimental elements are used to suggest connections through images, while voiceovers and text overlays provide historical and social context to the images.

In the film’s own words, "the objective is to recreate in five chants the synergy that generates revolutions." In 2018, a wave of protests toppled the political oligarchy that perpetuated power for over a decade in Armenia, in what became known as the Velvet Revolution. Thoughtfully staged and split into separate acts, or "chants," each is a film unto itself—microcosm, self, home, society, and macrocosm. Experimental elements are used to suggest connections through images, while voiceovers and text overlays provide historical and social context to the images.

Brazilian icon Elza Soares shines again.

Guitarist Lanny Gordin was one of the fundamental characters in the transformation of Brazilian music from the 1960s onwards. He electrified Gal Costa, Gilberto Gil, Caetano Veloso and Jards Macalé, among others. Lanny reveals his libertarian process of composition and current thinking, embarking on an unusual odyssey through China, his birthplace, and Brazil, the country where he lives.

In the month of the Brazil World Cup, the documentary shows how the demonstrations against an increase in public transportation fares in São Paulo in June of 2013, evolved to national scale, reaching hundreds of cities. The movement took over one million people to the streets and it became an uprising against corruption, the lack of public services and the copious spendings on the World Cup. The film proposes a reflection on the changes conquered by protesters and asks the question: will tomorrow be bigger?