Paula Ramírez

In 2017, playwright Marco Canale staged a play called La velocidad de la luz (“The Speed of Light”) in the Villa 31 slum. There, a group of indigenous elderly ladies recovered their traditions in order to explore their bonds with modern culture, religion, politics and their own memories. Three years later, Canale replicated the idea in Japan and structured this film, together with Juan Fernández Gebauer and Ignacio Ragone, that revolves around that experience.

В тёмные времена, когда загадочная эпидемия охватила весь мир, молодая пара покидает жилище и начинает путешествие в доме на колёсах. Они станут свидетелями преображения мира в жуткое, опасное место.

In 2007 Cristina Vázquez, a native of Posadas, settled in Buenos Aires, built a life, made new friends. I am one of her new friends. We work together in a restaurant. In that place happens the police raid that turns my friend Cristina into the queen of the hammer: a young woman rampant, drug addict and promiscuous who is also a murderer. Months later, without evidence, she is tried and sentenced to life imprisonment. Fragments of an unknown friend in the story who wrote to Cristina Vázquez in the perfect suspect. A story that, without convincing evidence, is still in jail today.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.