Marko Milovanović

Фильмы

On That Dark Night
Director of Photography
Besieged Sarajevo, 1993, Haska (28) finds a love letter in her husband's pockets after his death on the frontline. She tries to understand what has happened and eventually decides to leave Sarajevo with her son Denis (9).
Mother
Cinematography
In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.
Merry Christmas, Yiwu
Director of Photography
Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, the workers in Christmas factories can now afford newest iPhones, but they still live in crowded dormitories. All migrants in their own country, nostalgic for some place far away, some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. Young generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes to get educated. Stuck in between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.
Взгляд изнутри: Сараево, любовь моя
Director of Photography
Пять трогательных историй о материнстве, объединенных местом действия, а именно городом Сараево.
In Your Hands
Director of Photography
After begging her to come back, Azra gets her daughter Lejla back at the airport. In the car, she tells her a surprising news and takes her to an unknown place where mother and daughter will revisit their roles.
Hottest Summer Days
Director of Photography
A young couple is living at his parents' apartment. Frustrated at not being able to provide for themselves, they fight. She decides something has to change.
Between Borders
Cinematography
The film follows the refugee crisis in 2015 and 2016 from the perspective of a young Lebanese woman, Boushra Jaber. She came to Serbia in 2015 to work on her PhD. Driven by a deep desire to help she started working as an Arabic translator in a refugee camp in Presevo, on the Serbian-Macedonian border. During her three months in the field, Boushra faced personal and professional challenges that put her beliefs to the test.