Jaione Camborda

Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.

Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.

Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

A couple retreat to an Atlantic island to rebuild their relationship, strained by changes through the years. In this strange landscape a lighthouse seems to exert power, and a strange woman appears on the beach after almost drowning.

Кажется, что время остановилось в деревне на побережье Галиции. И все люди там как будто парализованные, хотя все еще слышны их голоса: они говорят о призраках, о ведьмах, о чудовищах. Появляются три женщины, которые пытаются найти Рубио, моряка, недавно пропавшего в море.

Arima is the story of four women and a girl whose existence is disrupted by the sudden arrival of two strangers. One of them is fleeing from the other, sneaking around town like an elusive being, a ghostly presence of uncertain existence. The other character —an injured man carrying a gun— will disrupt the women's way of life in different ways. The whole plot takes place on the fine line between reality and imagination, between dreams and nightmares, fear and desire, within a story shrouded in mystery.

Arima is the story of four women and a girl whose existence is disrupted by the sudden arrival of two strangers. One of them is fleeing from the other, sneaking around town like an elusive being, a ghostly presence of uncertain existence. The other character —an injured man carrying a gun— will disrupt the women's way of life in different ways. The whole plot takes place on the fine line between reality and imagination, between dreams and nightmares, fear and desire, within a story shrouded in mystery.

Tradition and performance show us the physical relationship between man and animal when in combat.

Tradition and performance show us the physical relationship between man and animal when in combat.

Tradition and performance show us the physical relationship between man and animal when in combat.

The face of a child mesmerized by the glare of a flame in the dark. This project was developed as part of NIMBOS, an initiative inspired by the homonymous work of the well-known Galician poet Xosé María Díaz Castro.