This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.
Since childhood, Isabel remembers her mother's recurring request: to be cremated. And now that the day has come, with her husband Daniel at her side, it is the mother's voice that she hears, which surprises her because the mother is there, in the urn, about to be cremated, as she always wanted. And since then, she has been making herself heard, accompanied by a letter left in her will, with precise instructions, which, being drastic, may end Isabel's marriage.
He came from the city and is trying to fit in the countryside – Alentejo. His life is dedicated to picking raspberries, hunting and taking swims in the canal. She is passing through and comes from the world he wanted to leave behind. One day they meet and their attraction is immediate. But their natures prevail over all else: she is free and he's a hunter.
