Yngve Leidulv Sætre

Runar Gudnason, best known from the rap group Side Brok, travels back in time to find out why he became a rapper.

Молодая американка едет в Европу на поиски своих биологических родителей. В младенчестве ее бросили на кладбище, завернув в ткань с сатанинскими символами. По мере того, как она приближается к ответам, кто и откуда ее родители, некий дух все настойчивее предупреждает ее уехать.

Молодая американка едет в Европу на поиски своих биологических родителей. В младенчестве ее бросили на кладбище, завернув в ткань с сатанинскими символами. По мере того, как она приближается к ответам, кто и откуда ее родители, некий дух все настойчивее предупреждает ее уехать.

Мона и Робби – молодая влюблённая пара. Робби горит желанием создать семью, несмотря на колебания Моны. Не так давно он нашёл работу мечты, и они с Моной переехали в просторную, но обветшалую квартиру. Пара не обращает внимания на постоянные ссоры и крики соседей, но вскоре Мону начинают одолевать кошмары. Чем ближе ночь, тем разница между сном и реальностью становится всё менее уловимой. Постепенно ситуация выходит из-под контроля и Мона убеждается, что ей и её пока нерождённому ребёнку угрожает опасность с того света...

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.

92 year old John Hoiland is running his large ranch in Montana all by himself. Rich people are lining up to buy his property, but John's wealth is not in the value of the ranch. It lies in the freedom to work his own land.

Bygderadio Vest fights to survive on FM radio after all the other stations have switched to DAB.

Norway has long had some of the strictest drug laws in Europe – with an emphasis on punishing, rather than helping, addicts. In recent years, the little country has also been on top of the European death by overdose statistics. In this humane and insightful documentary we follow three drug-user activists who are fighting to change the way we think about how we treat men and women with an addiction.

The starting point for the short story is a piece of music composed by K.A. Knutsen (Syntax TerrOrkester) and a concept developed by producer Simeon Frohm. Four directors have each been given a visual image of an audio file, as well as a title and length limitation as a starting point to create each chapter of the film. None of the directors have heard the sound, this has been mixed and completed based on raw versions of the film chapters. Common to the chapters is that they deal with the term "Garden" and its associated chapter title. The landscape of Utsira, where the film was filmed, lays the foundation for aesthetics.

It's 2050. Six years old Mia lives in the city of Bergen, under a glass dome, 537 meters under the sea level.

It's 2050. Six years old Mia lives in the city of Bergen, under a glass dome, 537 meters under the sea level.

It's 2050. Six years old Mia lives in the city of Bergen, under a glass dome, 537 meters under the sea level.

It's 2050. Six years old Mia lives in the city of Bergen, under a glass dome, 537 meters under the sea level.

Magnar and Oddny Kleiva have led their entire lives on their small mountain farm in Norway, seemingly unaffected by the riches of modern society. One day relatives from the US come to visit, and invite them to see where their grandmothers sister emigrated to in 1890. But will the brother and sister in their seventies dare the long journey, having barely left the county before?