Barbara Marheineke

Рождение : 1964-01-01,

История

Barbara Marheineke was born in 1964 in Flensburg, Schleswig-Holstein, Germany. She is a director and writer, known for E-mail Express (2003), Once upon a Truth (2017) and Miss World (1998).

Фильмы

Grünes Gold
Dr. Eleonore Schmidt
Grünes Gold
Editor
Grünes Gold
Animation
Grünes Gold
Co-Producer
Grünes Gold
Writer
Grünes Gold
Director
Jungs von nebenan
Director
A DVD containing 5 Short gay themed films: Styx (20 minutes) German; Stille Landschaft (8 minutes) Norwegian; E-Mail Express (2002) (8 minutes) German; Far West (17 minutes) French; Stille Liebe (Love and Deaf) (2003) (8 minutes) English
E-mail Express
Writer
Sebastian, the creative head of an advertising agency, has just finished a long night and wants to delight his lover with an intimate e-mail. So takes a photo of his best 'piece'. But with a wrong mouse-click posts it to his whole company, with no way to stop it! So do his colleagues also believe that size matters?
E-mail Express
Director
Sebastian, the creative head of an advertising agency, has just finished a long night and wants to delight his lover with an intimate e-mail. So takes a photo of his best 'piece'. But with a wrong mouse-click posts it to his whole company, with no way to stop it! So do his colleagues also believe that size matters?
Miss World
Writer
A modern Aphrodite – how is it possible to be super sexy and successful at the same time? A career woman faces the conflicting demands of her parents, social life, and her husband. Driven by their off-camera voices to become ever more efficient, Lisa becomes a woman on the verge of a nervous breakdown. The short combines live action and animation in a film with a slapstick tenor that is a colourful, but by no means rosy depiction of the future pressures women will face in a digital working environment.
Miss World
Director
A modern Aphrodite – how is it possible to be super sexy and successful at the same time? A career woman faces the conflicting demands of her parents, social life, and her husband. Driven by their off-camera voices to become ever more efficient, Lisa becomes a woman on the verge of a nervous breakdown. The short combines live action and animation in a film with a slapstick tenor that is a colourful, but by no means rosy depiction of the future pressures women will face in a digital working environment.