Eduardo Condorcet

A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

The pain, the weakness, the silence, the despair. These are some of the feelings faced by a couple lost in drugs. Nights can be seen as the story of people who made mistakes in life, but who still continue to seek happiness. It is about the despair of hopeless lives. The characters are, from the beginning, thrown into an empty and sterile world of indifference. In this true no-man's-land, João and Teresa are confronted with their precarious existence. They are broken pillars of a love that has become silent and painful, they share everything: the house, the drugs, the emptiness and the deprivations of their lives. To make the situation even more dramatic, Teresa falls ill. João does everything to help her, betting on his love for her. He, too, an addict, knows how to ease the pain of his beloved. But unfortunately this help also requires extra money, which forces João to prostitute himself, accelerating his process of destruction and his path to a tragic end.

The pain, the weakness, the silence, the despair. These are some of the feelings faced by a couple lost in drugs. Nights can be seen as the story of people who made mistakes in life, but who still continue to seek happiness. It is about the despair of hopeless lives. The characters are, from the beginning, thrown into an empty and sterile world of indifference. In this true no-man's-land, João and Teresa are confronted with their precarious existence. They are broken pillars of a love that has become silent and painful, they share everything: the house, the drugs, the emptiness and the deprivations of their lives. To make the situation even more dramatic, Teresa falls ill. João does everything to help her, betting on his love for her. He, too, an addict, knows how to ease the pain of his beloved. But unfortunately this help also requires extra money, which forces João to prostitute himself, accelerating his process of destruction and his path to a tragic end.

Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not.