Isidoros
Penelope and Isidoros live in a world where today they are lovers but the following day they scarcely know one another. It is a place where time doesn’t flow, where the days appear randomly in the past, the present, and the future – if these concepts even apply here. Their relationship is constantly changing; it is one continuous uncertainty marked by shared searching and reassuring. Somewhere next to their world is another where time is linear. It is possible to travel from arbitrary time to linear time, but the conditions for such a journey are mysterious and the price is high…
Officer Dimitri
Рожда, уроженка Иракского Курдистана и солдат немецкой армии, отправляется в лагерь беженцев в Греции, где ей удается встретиться со своей матерью, у которой есть плохие новости о ее сестре Дилан.
Waiter A
In a small town in Greece, when amorous passion meets with greed money, dead bodies start pilling up and "Sleeping Beauty" Olga will never know the horrors she has been spared of.
Aggelos
A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.
Self
Two boys and a girl prepare for nightclubbing in the heart of Athens. Arriving, they face a deserted club, where music plays blaring but there is no one listening. There, one by one, they fall asleep as if surrending themselves to a collective dream.
Aris / Friend (as Giannis Niaros)
Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)
