Luca Bellino

Фильмы

Крепость
Editor
Трое солдат прибывают в полузаброшенный военный гарнизон, который больше не выполняет никаких оборонительных функций. Время здесь остановилось и отмечено строгими правилами, доминантой власти, укоренившимся привычками и тотальным бездельем. Напрасно ожидая врага, который не придёт, офицеры поглощены необходимостью придать хоть какой-то смысл своему пребыванию здесь.
Io sono Sofia
Cinematography
Sofia is 28 years old and a man to woman transsexual. After hiding his body and his nature for many years, he makes the courageous choice to make his personal journey public and to share his questions with his family and friends.
Crater
Editor
The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
Crater
Director of Photography
The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
Crater
Producer
The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
Crater
Writer
The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
Crater
Director
The Crater is a land of underdogs, indistinct space, constant noise. Rosario is a street vendor, a gitane of village fairs, who gives away soft toys to whoever draws a winning number. The war he has declared against his own destiny has the immature and indolent body of his thirteen-year-old daughter: Sharon is pretty and can sing, and in this hotbed of stopgaps and desperate living, she’s his weapon for survival. But success becomes an obsession, and talent becomes a punishment.
On the Art of War
Director
Milan, august 2009. Four workers climb a 20 meters high gantry crane inside the hangar of the INNSE, the last active factory in Milan. They threaten to throw themselves down to stop the dismantling of the machineries and the closure of the factory they work in. The hangar is surrounded by dozens of policemen and supporters from all over Italy. It is not a simple struggle. They have a clear strategy. They have an organized army. They know perfectly their territory and their enemy. There are clear rules, it is a war with a workable paradigm for all forms of struggle.
The Threat
Editor
A trip with President Chavez over the largest oil reserve in the world, situated beneath the Orinoco river, becomes the occasion in which to enter into the lives of Venezuelans, nine years after the beginning of the Bolivarian revolution.Venezuela en route to socialism: is this still possible in our post-ideological times?
The Threat
Director of Photography
A trip with President Chavez over the largest oil reserve in the world, situated beneath the Orinoco river, becomes the occasion in which to enter into the lives of Venezuelans, nine years after the beginning of the Bolivarian revolution.Venezuela en route to socialism: is this still possible in our post-ideological times?
The Threat
Director
A trip with President Chavez over the largest oil reserve in the world, situated beneath the Orinoco river, becomes the occasion in which to enter into the lives of Venezuelans, nine years after the beginning of the Bolivarian revolution.Venezuela en route to socialism: is this still possible in our post-ideological times?
100 anni della nostra storia
Editor
A Donatello award nominated documentary looking at the last centenary of the CGIL - the largest trade union in Italy.