Vladimír Ondruš

A story about three young boys who are best friends and together are trying to fight a poacher in the forest close to their village.

A tragic story of two young people who are in the precious moments of first emotional flare deeply disappointed by the shallow feelings of their parents as well as their relatives and friends.

This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Leaps, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

A woman prisoner is harshly incarcerated and suddenly released.

Two female clerks using up their savings to enjoy a few days of carefree life, two plumbers looking for an erotic adventure, a building contractor determined to drink away all wages of his workers and a former major who became an alcoholic due to political persecution — these people meet in a ski resort bar somewhere in the High Tatras. During one night they gradually reveal their unfulfilled dreams, illusions and disappointments of ”average" people of those times.

Драматическая история конца второй мировой войны. Два партизана после боевой операции возвращаются в отряд и ведут с собой молодого немецкого солдата. Они оказываются среди пустынных заснеженных гор. Поскольку партизаны теряют связь с отрядом, немец теряет всякую надежду выбраться из этой ситуации.

The Organ is a drama set in the times of the wartime Slovak State. A young Polish deserter and gifted organist finds shelter from the fascists in a Slovak Franciscan monastery. He gets into a conflict with the local organist and choir leader, a man limited in his world views and spiritual values. The collision of talent and beauty with pettiness and closed-mindedness leads to envy and ill will, which draw young Felix away from his temporary hiding place and back to the dangers of war.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.