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In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.
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Девять лет назад Амин приехал из Сенегала на работу во Францию, оставив на родине свою жену Айшу и троих детей. Его работа - это его жизнь, его друзья - люди, которые живут с ним в доме для рабочих. С семьей он видится лишь раз или два в году. Однажды Амин встречает Габриэль, и между ними начинаются отношения...
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Monique, happy and about sixty, is at the head of a small meeting agency, specializing in the third age. Her friend Madeleine is a regular and does not hesitate to make her organize meetings with the gents that she finds to her taste, more out of curiosity than of desire to find the soul-mate. While, the meetings follow each other and are all different. Love does not, necessarily, knock where we expect it too !
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In this 2013 visual essay, Jacques Tati scholar Stéphane Goudet discusses how the filmmaker’s appreciation for the circus, clowns, and mime humor is reflected in PARADE, and analyzes the film’s various comedic acts.
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Documentary analysis of French director Jacques Tati's 1949 film "Jour de fete". Goudet tracks the evolution of Tati’s comedy stylings, from their origins in the short films where he first appeared through his ambitious feature productions.
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During the 48 hours following his release from jail, a young man returns to his family and circle of friends.
