Subhrajit Mitra

With 'Avijatrik' (The Wanderlust of Apu) , by Subhrajit Mitra - the enduring and endearing character of 'Apu' is all set to return after 60 years. It is the sequel to the classic "Apu Trilogy", which were directed by Satyajit Ray.

With 'Avijatrik' (The Wanderlust of Apu) , by Subhrajit Mitra - the enduring and endearing character of 'Apu' is all set to return after 60 years. It is the sequel to the classic "Apu Trilogy", which were directed by Satyajit Ray.

‎Детективный роман триллер в фоне Северной Калькутты с его британским Раджем шарм, основан на романе "Карты на столе" Агаты Кристи. Врач, актриса, фотограф дикой природы и фотомодель: из четырех человек, все подозреваемые в совершении преступления, но никогда не взимается, сесть за стол, играя бридж. В следующей комнате в другой игры в карты являются полицейский детектив, отставной криминологии профессор, писатель тайна и следственных журналист. К концу вечера принимающих их, которые нашли убитого доктора Дасгупта, со сломанной шеей и ядом в его крови. Кто является убийцей?

Aagun Pakhi is a Bengali drama film, directed by Shubhrajit Mitra, under the banner of Mindscapes Maestros. The film depicts how people suffer in the society to make a change in it. It also shows how people become weak if they fight against the politician or the corrupt system.

Featured here, are the journeys of a few girl children in the State of West Bengal, India, who have either lost their parents to unpropitious fate or are separated from them. These children hardly meet their parents, who are serving sentences in the correctional homes or residing as under trial prisoners. Separation from parental touch has not rummaged their lives, as they are in care of a home in a remote area in Ranaghat, on India Bangladesh border. Their ordeal has not barred them from nurturing their inner talents and skills in this home run by the pious nuns, called Dayabari. It unfolds the plaintive story of the bereaved parents who are ordained to live apart from their children, but have dreams surrounding them.

In this rethinking of Rabindranath Tagore's novel Shesher Kabita, filmmaker Rajarshi (Saheb Chatterjee) travels to Kolkata before directing his next movie. There, he encounters his past in the form of his former girlfriend, Indrajeet (Tota Roy Chowdhury), and teacher Brishti (Rituparna Sengupta). The Indian drama weaves the trio's past and present with the characters in Rajarshi's upcoming film. Subhrajit Mitra directs.

In this rethinking of Rabindranath Tagore's novel Shesher Kabita, filmmaker Rajarshi (Saheb Chatterjee) travels to Kolkata before directing his next movie. There, he encounters his past in the form of his former girlfriend, Indrajeet (Tota Roy Chowdhury), and teacher Brishti (Rituparna Sengupta). The Indian drama weaves the trio's past and present with the characters in Rajarshi's upcoming film. Subhrajit Mitra directs.

Prafulla is married but is shunned by her wealthy father-in-law, Haraballabh, because of a spat between him and her mother on the day of her wedding. By custom prevalent at that time, a girl, once married, could not be divorced or remarried. Heartbroken at the fate of her only child, her mother died after a few years. Prafulla takes the drastic step to flee in the middle of the night to find the house of her in-laws whom she has never known, without any money, with knowledge of only the name of the village and name of her father-in-law. Benevolent people, surprised to see her traveling alone, help her on the way. This is consistent with the custom in Bengal that all unknown women were to be treated as one's own mother. Her father in law rejects her and tells her to steal for a living. She goes back and through a lot of experiences meets the dacoit head Bhavani Thakur.

The film is based on Rabindranath Tagore's novel Dui Bon which was first published in 1933 and is among one of Tagore's last three works.

The film is based on Rabindranath Tagore's novel Dui Bon which was first published in 1933 and is among one of Tagore's last three works.