An impostor pretends to be the mother of a blind man so he can manage his assets. But things are changing because of the arrival of the person who takes care of the blind.
Paris, 1857. While on trial for moral outrage, French writer G. Flaubert tells the court and the audience the true story of the heroine of his novel Madame Bovary, a sensitive but capricious woman whose desperate efforts to overcome the bourgeois conventions of a dull, provincial life led her family first to ruin and disrepute and finally to the abyss of tragedy.
The young widow of the viceroy of Peru, facing the dismal prospect of either a convent or a marriage of convenience, sets out to conquer a handsome officer, pretending she’s a duende, a ghost. Voted the best Argentine film of 1945, La dama duende is a beautifully crafted comedy of errors, based on the 17th-century play by Pedro Calderón de la Barca. The most ambitious production of Estudios San Miguel, it was brought to the screen mostly by Spaniards exiled in Argentina as a result of the Civil War.
