Himself
An existential journey through the power of healing with the enigmatic Damo Suzuki, former lead singer of krautrock legends CAN.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
Himself
Dandelion Records and DVD's present Probably the nearest you will ever get to an official documentary on Mark E Smith and The Fall. Put together over a period of 13 years by three Danish Fall fans and with full involvement from Mark E Smith this film gives a real insight into the mechanisms of The Fall. Features many live clips and rehearsals of both The Fall and Smith and Ed Blaney. The cast list includes Mark E Smith, John Peel (a real in depth contribution from Peelie), Henry Rollins, Thurston Moore, David Gedge, Stephen Malkmus, Dee Dee Ramone, Peter Hook, Grant Showbiz, John Cooper Clarke, Damo Suzuki, Gary Lucas, Ed Blaney, Jim Watts, Spencer Birtwistle, Ben Pritchard, Zlatko Buric, Alan Wise, The Other Dave and Fall Fan Dave. Bonus material includes a great interview with Mark E Smith in what was his favourite pub near Heaton Park in Manchester (sadly the pub is now closed)
Himself
The portrait of Damo Suzuki, singer of the legendary German kraut band Can, on his visit to Argentina to give two concerts with a handful of local musicians led by Alan Courtis.
Self
Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.
The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.
