Meltem Savcı

Meltem Savcı

Рождение : 1952-10-22, Gaziantep, Türkiye

Профиль

Meltem Savcı

Фильмы

Bana Git De
Anne (Ali)
Ali who is a guitarist has some issues about him life and decides to make a road trip from Istanbul to Eastern Anatolia. While driving on road, he picked up a hitchhiker who named Leyal.
Civilian
Having recently returned from compulsory military service, Emrah, who lives with his mother, refuses to socialise, and strolls alone on highways. He hides two letters in a drawer: one that he has written when he was in the army to his former lover, Sevgi, and another that he has found by the side of the dead body of a guerrilla whose life he has taken. Following the address on the letter, Emrah reaches the house of Zeynep, the guerrilla’s lover, and leaves the letter there. But this will not relieve his nightmares. With the help of his uncle, he finds a job as a night watch. Forced to spend the whole night in a small room, Emrah will go through troubled times and the nightmares will become all the worse leading into ever more confusion.
Последний гарем
Начало XX века. Османская империя доживает последние дни. Юная невольница Сафийе попадает в роскошный дворец султана Абдул-Хамида II. Она мечтает стать фавориткой султана и родить ему наследника. В гареме Сафийе знакомится с чернокожим евнухом Надиром. Взаимная симпатия кастрата и наложницы перерастает в страстную любовь, которая преодолевает сословные запреты и физические преграды.
Nihavend Mucize
Psikolog
Directed by Atif Yilmaz.
Yumuşak Ten
Bir Aşk Uğruna
The Blue Exile
Tiyatrocu
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.
A Woman
Davacı
Muhabir