Antonin pays a visit to his father whom he hasn’t seen for fifteen years. He asks a friend and cameraman to accompany him because he wants to make a documentary of the encounter. Very quickly, everything gets out of control: his film and his relationship with his father, which he had been planning to patch up.
It's summer and Antonin is on his way to visit the father he has not seen in fifteen years. Accompanied by his friend, a cameraman who will film the reunion, he leaves the city for his childhood home – where fifteen years earlier his father had kicked his mother out of the house.
Executive Producer
The Assistant Director (himself)
In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.
Assistant Director
As he sets off for the countryside outside Geneva a taxi-driver hears a gunshot and notices a shadowy figure slipping away from the scene. So begins a series of strange incidents.
Assistant Director
Interspersed with jokes, visual puns, and philosophical discussions, the story follows the attempts of a girl who has spent the last year living outside her native Switzerland to rekindle a former love affair. When her immature young friend fails to demonstrate the requisite interest, she takes up with someone the boy disapproves of. When the boy kicks the man, the man leaves both the boy and his erstwhile ex-girlfriend to their own devices.
Assistant Director
Two guys facing problems in relationships and wondering about the living on the capitalist society.
