Sudhin Majumdar

Фильмы

Ganga Aur Suraj
Director of Photography
Shekhar and Vikram are rivals working on either side of the law, little do they know that they are actually brothers separated at birth
Воспитание
Director of Photography
Полицейский Шамшер все-таки выходит на след мафиозника Мангала и сажает его в тюрьму. У известного преступника остается маленький сын, которого Шамшер забирает к себе на воспитание. У Шамшера есть свой родной сын, и он растит обоих мальчиков. Однажды Мангалу удается сбежать из тюрьмы. Он знает, что его сын воспитывается в доме полицейского. Мангал не может удержать и пробирается в дом Шамшера, чтобы хотя бы одним глазком взглянуть на сына. Но в доме у Шамшера Мангал путает мальчиков…
Haath Ki Safai
Director of Photography
After the tragic passing of his parents, Raj Kumar is also separated from his elder brother. He ends up hungry and penniless in Bombay, and is taken in by a pickpocket thief, Usmanbhai, who trains Raj to be a master at picking pockets and stealing. It is in this atmosphere that Raj grows up and calls himself Raju Tardeo, for this is the area allocated to him to carry on stealing. Raju comes to know that a wealthy woman named Kamini has run away from home, and a reward has been placed in all newspapers. He finds her, pretends to fall in love with her, steals her necklace, and takes her back home to her oppressive uncle, who wants her to get married to Ranjeet.
Chhote Sarkar
Director of Photography
Brothers Moti and Raja share a joint household until Moti's wife gets Raja thrown out.
Sachaai
Director of Photography
Ashok and Kishore are two roommates living in a hostel. While Ashok takes to crime and dishonesty, Kishore is honest to a fault. When Kishore finds that his dad has been taking bribes, he leaves home angrily. Ashok and he disagree on a number of issues, mainly involving honesty, and both agree to meet each other after a period of three years, and see what life has had an effect for them.
Two Generations
Director of Photography
One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.
My Sister
Director of Photography
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.
Devdas
Director of Photography
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.