Shelley Niro

Рождение : 1954-01-01, Niagara Falls, New York, USA

История

Shelley Niro is a multi-disciplinary artist, and a member of the Six Nations Reserve, Turtle Clan, Bay of Quinte Mohawk. She has worked in a variety of media, including beadwork, painting, photography, and film. Her work challenges stereotypical images of Indigenous Peoples.

Фильмы

The Incredible 25th Year of Mitzi Bearclaw
Producer
An Indigenous woman reluctantly returns to her isolated reserve to help her father care for her bitter mother.
The Incredible 25th Year of Mitzi Bearclaw
Writer
An Indigenous woman reluctantly returns to her isolated reserve to help her father care for her bitter mother.
The Incredible 25th Year of Mitzi Bearclaw
Director
An Indigenous woman reluctantly returns to her isolated reserve to help her father care for her bitter mother.
Kissed by Lightning
Executive Producer
Mavis Dogblood is a Mohawk painter from Canada haunted by the tragic death of her husband, who was hit by lightning. She paints the stories he used to tell her, but she can’t come to grips with her loss. It is only after she drives to New York City for an art opening, traveling across what were her ancestors’ tribal lands, that Mavis reconciles herself to her new life.
Kissed by Lightning
Writer
Mavis Dogblood is a Mohawk painter from Canada haunted by the tragic death of her husband, who was hit by lightning. She paints the stories he used to tell her, but she can’t come to grips with her loss. It is only after she drives to New York City for an art opening, traveling across what were her ancestors’ tribal lands, that Mavis reconciles herself to her new life.
Kissed by Lightning
Director
Mavis Dogblood is a Mohawk painter from Canada haunted by the tragic death of her husband, who was hit by lightning. She paints the stories he used to tell her, but she can’t come to grips with her loss. It is only after she drives to New York City for an art opening, traveling across what were her ancestors’ tribal lands, that Mavis reconciles herself to her new life.
Tree
Producer
Personifying Mother Earth, she walks through her domain. She observes her environment and what has happened to it. She weeps. She feels violated. Not only has man damaged her but they continue to damage each other. She sighs. She will visit and start again sometime soon.
Tree
Production Design
Personifying Mother Earth, she walks through her domain. She observes her environment and what has happened to it. She weeps. She feels violated. Not only has man damaged her but they continue to damage each other. She sighs. She will visit and start again sometime soon.
Tree
Writer
Personifying Mother Earth, she walks through her domain. She observes her environment and what has happened to it. She weeps. She feels violated. Not only has man damaged her but they continue to damage each other. She sighs. She will visit and start again sometime soon.
Tree
Director
Personifying Mother Earth, she walks through her domain. She observes her environment and what has happened to it. She weeps. She feels violated. Not only has man damaged her but they continue to damage each other. She sighs. She will visit and start again sometime soon.
The Shirt
Producer
In "The Shirt" Kanien’kehaka (Mohawk) artist and director Shelley Niro parodies the archetypal tourist tee-shirt from the point of view of First Nations Peoples as an exploration into the lasting effects of European colonialism in North America. Facing the camera directly and poised against the landscape of “America”, an Aboriginal woman with biker-like accessories bears a sequential series of statements on her tee-shirt that together comprise a discourse on colonialism. The darkly ironic and yet brutally truthful messages of "The Shirt" draw attention to the history of invasion that indigenous peoples have experienced in North America.
The Shirt
Writer
In "The Shirt" Kanien’kehaka (Mohawk) artist and director Shelley Niro parodies the archetypal tourist tee-shirt from the point of view of First Nations Peoples as an exploration into the lasting effects of European colonialism in North America. Facing the camera directly and poised against the landscape of “America”, an Aboriginal woman with biker-like accessories bears a sequential series of statements on her tee-shirt that together comprise a discourse on colonialism. The darkly ironic and yet brutally truthful messages of "The Shirt" draw attention to the history of invasion that indigenous peoples have experienced in North America.
The Shirt
Director
In "The Shirt" Kanien’kehaka (Mohawk) artist and director Shelley Niro parodies the archetypal tourist tee-shirt from the point of view of First Nations Peoples as an exploration into the lasting effects of European colonialism in North America. Facing the camera directly and poised against the landscape of “America”, an Aboriginal woman with biker-like accessories bears a sequential series of statements on her tee-shirt that together comprise a discourse on colonialism. The darkly ironic and yet brutally truthful messages of "The Shirt" draw attention to the history of invasion that indigenous peoples have experienced in North America.
Honey Moccasin
Producer
This all-Native production, by director Shelley Niro (Mohawk), is part of the Smoke Signals new wave of films that examine Native identity in the 1990’s.
Honey Moccasin
Writer
This all-Native production, by director Shelley Niro (Mohawk), is part of the Smoke Signals new wave of films that examine Native identity in the 1990’s.
Honey Moccasin
Director
This all-Native production, by director Shelley Niro (Mohawk), is part of the Smoke Signals new wave of films that examine Native identity in the 1990’s.
Overweight with Crooked Teeth
Director
Explores and questions non-Native perceptions of Indians by asking pointedly: “What were you expecting, anyway? Sitting Bull? Chief Joseph… saying ‘the earth and I are one?’”
It Starts With a Whisper
Director
It Starts With a Whisper was produced in the Six Nations/Brantford area, with an all-Native cast, and features locations on the Grand River which runs through the Six Nations Reserve. The film blends traditional Iroquois imagery, music and themes with motifs from contemporary, secular life. An original score and innovative visuals make It Starts With a Whisper a delight to watch, as well as a timely challenge to movie stereotypes of First Nations people.