Gérard Martin

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself. He is a public figure as much as a man shrouded in mystery. Everything and its opposite, he has taken all possible paths. It is not easy to seize such a legendary, enigmatic giant. Godard’s itinerary follows one direction only: a constant renewal of his art. He sees the creative act as a necessary act of criticism and deconstruction.” I always start from the negative. I am a positive man who starts from the negative”. The artist reinvents himself tirelessly, and inevitably destroys himself. This portrait wants to take us beyond the clichés of a myth that has sometimes become caricatural, to meet a man more sentimental than it seems, a man inhabited, sometimes surpassed, by his art. Because yes, Godard is human. Not just a machine who thinks and creates images.

This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate.

15 years through Le Bois de Vincennes - The "before" and "after" 1999 storm destructions.

A musical comedy set to a hip-hop beat, the feature debut from actress-turned-director Blanca Li finds a dedicated young breakdancer abandoning his comfortable life in a bid for fame in the U.S.A. Dropping out of school and leaving home to escape his overbearing mother, 18-year-old David dedicates all of his time to perfecting his moves with his dance team, the Urban Cycle Breakers. As David and his team begin gearing-up to face-off against a rival group of intimidating dancers, his dreams of finding romance with Samia and making it to the world dance finals in New York finally seem to be coming into focus.

A college student discovers that no good deed goes unpunished in the black comedy Cinq Minutes de Detente (aka A Five Minute Break). Phillippe (Jose Garcia) is a pre-law student at what is described as "a French University in North America." One day during gym class, Phillippe lets a stranger who claims to have a heart condition borrow his shoes for a few minutes. The man then walks across a tar roof, leaving prints from Phillippe's shoes, and shoots a man who's been sleeping with his wife, before returning the shoes to Phillippe. Soon Phillippe's shoes are matched to the crime and he finds himself behind bars.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

"Le roman d'un truqueur" mixes the story of a fictional investigation with the reality of its filming by the author, in a spirit of humor, self-mockery and pastiche. After having unscrupulously infiltrated the action, the producer, confusing fiction and reality, tries to hijack the investigation for his own benefit. Entangled in their investigation, but true to their role, the actors thwart the producer's schemes and then look for a financing solution themselves to bring the film to a successful conclusion.

Вот и сбылась детская мечта Робинзона, он отправляется в долгожданное морское путешествие. Но надо же беде случится, его судно терпит кораблекрушение. Оставшись единственным выжившим из своей команды он спасается на необитаемом острове. Ему доведется провести там немало лет. Научиться выживать в диких джунглях, при этом здорово постараться не сойти с ума от бесконечного одиночества. Однако это не означает, что ему не встретятся там люди... просто одними он будет обманут, другие чуть было его не убьют... и только лишь находясь уже в зрелом возрасте, он повстречает настоящего друга который решит во что бы то ни стало помочь Робинзону вернуться на родину.

The year 1989 marked the 200th anniversary of the French Revolution, and a number of filmmakers put together movies intended to celebrate that event. This historical action drama, based on the book Sous le vent de galerne by Andre Guilloteau looks at some of the less well-known and unappealing consequences of the republican takeover. In 1793, the entire region of Vendee rose up in revolt against the republican French government. Instead of bringing relief from the heavy taxation imposed under the monarchy, the republican government actually raised taxes in the region, and to add insult to injury, also imposed a heavy burden of military conscription ("the draft") on it. In the story, the inhabitants of one of the villages of the region organize under their blacksmith and a local nobleman to fight the government forces, but before they can prepare for a proper battle, they are massacred.

Jacques Belin, presenter of a silly TV show, gets drunk after receiving an award and misses the train bringing his TV-soap-star fiancée. He meets up with Frède, just out of prison after a three year sentence and, in between numerous arguments and Jacques' break-up with his girlfriend, the two of them get drunker together, going across Paris in search of more alcohol and adventure.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.