Martina Laird

The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy.

Вдохновленный жизнью писателя, режиссера и звезды Амл Амин, «День подарков» следует за Мелвином, британским писателем, живущим в Америке, который возвращается домой в Лондон на Рождество, чтобы представить свою американскую невесту Лизу своим эксцентричным британцам. Карибская семья. Их отношения подвергаются испытанию, когда она открывает для себя мир, оставленный ее невестой.

Marking Play for Today’s 50th anniversary, Drama Out of a Crisis is a compelling exploration of the series, its origins, achievements, controversies and legacies. Featuring a rich and surprising range of archive extracts and original interviews with many who created the series, including producers Kenith Trodd, Margaret Matheson and Richard Eyre, and directors Mike Leigh, David Hare and Ken Loach.

Во время Второй мировой войны одинокая писательница вынуждена заботиться об эвакуированном мальчике из Лондона. Постепенно привязываясь к нему, она вспоминает свою жизнь и давно утраченную любовь.

The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.

Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.

Phyllida Lloyd’s final installment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison.

Ex-con Clarkie is betrayed by his best friend, he has no one to turn to as he tracks down his brother's killers. The war spills onto London's mean streets. If Clarkie makes one false move he is...DEADMEAT.