Étienne Roussy

Фильмы

Stampede
Camera Operator
After a difficult separation, Serge Jr. takes his daughter Lily, 9, on a truck ride across Canada. They head to Alberta and its legendary Badlands World’s Best Truck Rodeo, a race Lily and him have been dreaming about. On the road, under his daughter’s increasingly worried gaze, Serge will eventually need to face the music.
Happy Life
Director of Photography
In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.
The Gig Is Up
Director of Photography
A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.
Zo Reken
Director of Photography
Today, 11 years after the massive earthquake in Haiti that left over a million people homeless and killed hundreds of thousands, the country has still not recovered from the disaster. Despite billions of dollars in aid money, Haiti struggles with some of the highest levels of poverty and unemployment in the Western hemisphere. In Port-au-Prince, various citizens are shuttled through a city in crisis. Maneuvering around barricades, garbage dumps and the packed streets of the capital, they speak candidly about the current state of their country. Through the car window a frustrated population passes and occasionally interacts with the passengers in the vehicle. Beautifully shot, with a lively score, Zo Reken presents a complicated portrait that testifies to the magnitude of the tragedy and highlights the disorganized state of international aid.
Like the Ones I Used to Know
Director of Photography
December 24, 1983, 10:50 p.m.: Julie and her cousins ate too much sugar, Santa Claus is late. Denis, alone in his car, is anxious at the idea of setting foot in his ex-in-law's house to pick up his children.
Jarvik
Director of Photography
A teenager who longs to just be a teenager must instead spend the last days of summer helping her family cope with a recent loss as well as her younger brother’s health crisis.
The Prince of Val-Be
Director of Photography
Колония
Director of Photography
Милия, скромная 12-летняя девочка из предместья, переходит учиться в городскую среднюю школу. Потерянная в новой для себя, не всегда приветливой обстановке, она старается справиться с дискомфортом, пытается свыкнуться с нелепицами школьной жизни и переживает первые победы и поражения юности.
Train Hopper
Director of Photography
A young man travels across America hopping from one freight train to another.
The Taste of Vietnam
Director of Photography
Chloe has to leave. Arnaud is determined to make her last night one she'll never forget.
Gulîstan, Land of Roses
Director of Photography
They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.
Welcome to F.L.
Director of Photography
A documentary portrait of high-school students in the Quebec city of Sorel-Tracy.
Любовь во время гражданской войны
Director of Photography
Алекс молодой наркоман, который продает свое тело в Монреале. Он находится в окружении Бруно, Симона, Жанна, Эрика и Велма, все они попали в ту же спираль принуждения. Заложники общества потребления, они падшие ангелы темного и бурного времени.
Beyond Paper
Cinematography
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
THE SUNDAY ROBBERS
Cinematography
A guy tries to convince his ex-girlfriend to have sex with him, on the very same day that they both plan to commit a robbery with her new boyfriend.
Rose blanche
Director of Photography
Winter is in full swing. With her mother by her side, Laurence is en route to her grandma’s funeral to pay her last respects. But her mind is elsewhere; Laurence is expecting someone.