Camera Operator
When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).
When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).
Halleluia : one of the most beautiful prayers in the world, a magnificent and distributing piece from Leonard Cohen, wavering between the sacred and the profane, suggesting pain, pleasure, lust, and lost physical love ; a mournful eroticism chanted with sensuality and formidable grace by Jeff Buckley, an inspired performer/angel. Hence my deep desire to project my own ritual of images on its spellbinding lyrics. S.M
The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.
Director
A black & white nightmare universe. A distant character, viewer of the violence growing in his house.
Director
