Lara Vouk

A Slovenian horror short.

A Slovenian thriller feature.

Two lost souls are waitng for a bus in the middle of nowhere but instead a woman appears.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

Ivan Cankar experienced many things only after he has written about them. In the film, this link between his writing and his private life is depicted by live-action and animated scenes that draw exclusively on the writer’s works and letters to his loved ones. For an entire decade, he lived with the Löffler family in Vienna, where he wrote most of his impressive oeuvre. First, he grew very close to the lady of the house, then to her adolescent daughter Steffi. Back in Ljubljana, he got involved with several girls there, an attentive lover of a cheerful nature, accessible and highly intelligent. His popular public lectures reveal him as a passionate social democrat.

Somewhere far away from the village and people, four hundred wind gusts away, Marija and Drevo are dealing with the acceptance of the upcoming loss of their friend.

In a distopian future few shoemakers are working under an all seeing eye of the factory owner.

An (un)ordinary day of an (un)ordinary family without hands.

Matej returns from Germany to visit his father Rado in Slovenia to ask him for help in financing the apartment he wants to buy with his pregnant girlfriend. At the meeting, he learns that his father was thrown over the threshold of his own company, and after additional research, he learns that he is in very large debts, and his house is also hanging in the balance. Matej wants to solve his father's problems, even if by less legal means.

All of a sudden world have become very different for Jasna, or has it always been this way? She doesn't try to find out, she rather lives in now as it is. Doing so she meets a younger boy Pero which she finds a bit shady but cool and together they go on a journey to find out how meaningless is what was and will be.

Two women of different generations encounter, each in its own way dealing with issues of life and death, and spend a day together.