Hans Künzi

“Many years ago, men and lions used to live in peace together and were allies. They protected each other. But little by little men forgot about their deal and in the end the lions did the same.” These are the words that Lionel’s dying grand-father whispered to him in his village in Africa. Lionel is an 11-year-old boy who leaves happily in Switzerland with his mother and step-father. During a school trip to the zoo, Lionel is irresistibly attracted to an old lion lying in a cage. The lion starts to communicate with him and asks him to find a way to set him free in order to go back to Africa. With the help of his best friend Federico and of his classmates, Lionel is determined to keep his promise…

When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

In the Church of the Holy Sepulchre, in the heart of Jerusalem, six different Christian denominations, Greek Orthodox, Armenian, Syrian, Roman Catholic, Ethiopian and Coptic Christians-have divided the sacred site and simply can not agree on which of the claims on the tomb of Jesus is the most legitimate. So they fight. Sometimes through a difficult time cleaning, sometimes even by force. An intuitive and entertaining approach to the fact that faith is a very human thing.

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Рикарду — трансвестит в баре, его парень покончил жизнь самоубийством. Рикарду пытается вскоре после этого совершить суицид. Именно эта неудачная попытка самоубийства позволяет ему возобновить контакт с сестрой Марией и узнать своего племянника Вашку, который имеет синдром Дауна. Он также пытается ужиться и со своим отцом Жозе, а с Марией, и в основном с Вашку, Рикарду должен заново научиться жить.

Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.

A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.

In the quietness of rural life, small disputes about the right to use a rivulet may take the proportion of a life-and-death matter..

Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.

The film relates the painful ending of a love story binding an over-30-year-old woman and a North African, and the beginning and end of a relationship she also has with an “established” journalist. The stories illustrate the absolute claim of a woman who can understand love only in terms of life and death, an attitude that generally makes love appear dramatic, but at least burning and flickering, like the flame that glows in her heart.

It's Friday evening. The lift repairman leaves the building and wants to finish his work on Monday. But he doesn't know there are four men in the building. They use the lift but stay in it about 100 meters from the floor. They have little oxygen and must survive…

Непросто приходится иностранцам, желающим принять швейцарское гражданство. Полиция поручает офицеру Бодмеру тщательно проверить граждан, претендующих на гражданство.

The allotment gardens on the outskirts of the city of Zurich provide hundreds of unpropertied men and women with a home which they are unable to find in the impersonal rented blocks in which they live. The gardens represent their hobby, their freedom and their living space, which exists side by side with hard work. They cannot however own these "homes" and the film shows the chronicle of the events which took place in 1976 - 77 when construction of the Zurich wholesale market hall destroyed 150 gardens and made many people "homeless". This portrait of a group is complemented by the stories of three individuals.