Director
The film departs from Carl T. Dreyer's La Passion de Jeanne d'Arc (1928), Sergej Eisenstein's Battleship "Potemkin" (1925), October (1928), and the Mexican film material (1930), as well as Friedrich W. Murnau's Nosferatu (1922). Conceptualised in three parts, it draws viewers into landscapes populated by ghostly communities, shadows, and intermediate beings acting as transitions to revolutions and dreams in the past, future, and present. Produced and realised as a framework for the que_ring drama project – Dark Revolutions which premiered on 14 Nov. 2019, at studio brut, Vienna, Austria.
Director
Ландшафты из «Носферату: симфония ужаса» (1922) Мурнау сопровождаются размышлением о призраках политической борьбы прошлого, о зрении как инструменте колонизации и об истинном смысле деколонизирующего взгляда, разрушающего всякий порядок.
self
The seats in the theatre are still empty when the performer – the artist – enters the frame. She speaks about a colonial flashback. She is haunted by a series of historic photographs of or taken by the Austrian ethnographer Paul Schebesta in the 1930s, in the Belgian colony of the Congo.
Director
The seats in the theatre are still empty when the performer – the artist – enters the frame. She speaks about a colonial flashback. She is haunted by a series of historic photographs of or taken by the Austrian ethnographer Paul Schebesta in the 1930s, in the Belgian colony of the Congo.
Director
Иконический образ Жанны Д'Арк из фильма Карла Теодора Дрейера. Жанна, назначенная быть символом веры, патриотизма и самопожертвования. Отделение плоти от духа. Еще немного, и она — протофеминистская мученица. Не слишком ли много требуется от тебя, Жанна?
