Radovan Síbrt

Петр и Хана после многих лет совместной жизни делятся своими невысказанными эротическими фантазиями.

Láďa is always joking. Petr has his own incomprehensible dictionary. Jana seeks a partner via a dating service. They are linked through their joy in music and their involvement in the group founded more than 20 years ago by bandmaster Šimon Ornest. Strictly, almost despotically, without pity but with great energy and understanding, he not only leads his musicians to a place on the music scene but is also their support and friend.

Láďa is always joking. Petr has his own incomprehensible dictionary. Jana seeks a partner via a dating service. They are linked through their joy in music and their involvement in the group founded more than 20 years ago by bandmaster Šimon Ornest. Strictly, almost despotically, without pity but with great energy and understanding, he not only leads his musicians to a place on the music scene but is also their support and friend.

Láďa is always joking. Petr has his own incomprehensible dictionary. Jana seeks a partner via a dating service. They are linked through their joy in music and their involvement in the group founded more than 20 years ago by bandmaster Šimon Ornest. Strictly, almost despotically, without pity but with great energy and understanding, he not only leads his musicians to a place on the music scene but is also their support and friend.

Hundreds of teenagers join the Slovak Recruits paramilitary group to get ready for the final clash of civilizations and to fight whoever invades their country.

Нику, молодой бездомный мальчик, усыновлен Брюсом Ли, печально известным «Королем подземного мира», и уезжает жить к нему в туннели под Бухарестом. Когда Нику вырастает, он начинает понимать, что, возможно, Король Подземного Мира не идеальный отец, и ему приходится выбирать между пребыванием в банде Брюса или «нормальной» жизнью над землей.

Activism, direct observation, and situational documentary inconspicuously linger about the constantly delayed construction of the D8 motorway. Local residents, a Brno-based activist and the construction chief shatter the clichés of contemporary documentary film - among other things in who we should root for. The local mixes with the global just like economics and the environment.

Relationship between two women – mother and daughter in the second half of the 20th century. The story takes place in a old family house. The mother is confined to bed unable to move in her daughter's custody. The daughter comes in her mother's room to take care of her with a confession to tell. Something happened with her son and her mother's grandson three years ago.

Paul (23) and Radu (53) are a couple in crisis. They are visited every day in their home by a small film crew. Together with the filmmaker, they go through a “deconstruction of memory” process, via procedures such as intimate video diaries, exercises inspired from family constellations, re-enactments of key memories and dreams, in an attempt to make sense of their explosive relationship.

When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.