Pablo García Canga

Pablo García Canga

Рождение : , Madrid, Spain

История

Diploma in Film Direction from the Fémis de Paris. Apart from director, he has also written the script for several shorts. He is also a translator and critic in several specialized magazines (Lumière, Détour, SoFilm ...).

Профиль

Pablo García Canga

Фильмы

Por la pista vacía
Writer
Ana records an audio message to an old friend. She doubts.
Por la pista vacía
Director
Ana records an audio message to an old friend. She doubts.
And So The Night Will Fall
Screenplay
As night falls, Andrea records a message for Pablo, whom she hasn't seen for months, like a long letter or a 21st-century novel.
The Night Before
Screenplay
“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota
The Night Before
Director
“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota
Os prexuízos da auga
Screenplay
De l’amitié
Director
Cuando supo que estaba muerto
Director
Retrato en dos tiempos
Director
Pissing Territories
Director
Para Julia
Cinematography
A boy met a girl. They spent some time together, they went to the movies often, they gave away things, they traveled. The girl leaves the boy. The boy believed that she was the woman of his life. She gives him a notebook with drawings (the best he knows how to do) and with all the tickets of all the movies that he went to see. The boy takes a camera. A 22-year-old boy who exposes himself in such a way in a film, which expresses himself in the first person offering us some pages of a newspaper, his, which no other person could write in his place, talking to us without concessions of his first history of love and the pain of a break, is not frequent. A boy who shares his pain, the need to film what he loves and what he is losing, his learning of life and the world through cinema -the cinema alone- is also infrequent. A gesture of a filmmaker.
Para Julia
Director
A boy met a girl. They spent some time together, they went to the movies often, they gave away things, they traveled. The girl leaves the boy. The boy believed that she was the woman of his life. She gives him a notebook with drawings (the best he knows how to do) and with all the tickets of all the movies that he went to see. The boy takes a camera. A 22-year-old boy who exposes himself in such a way in a film, which expresses himself in the first person offering us some pages of a newspaper, his, which no other person could write in his place, talking to us without concessions of his first history of love and the pain of a break, is not frequent. A boy who shares his pain, the need to film what he loves and what he is losing, his learning of life and the world through cinema -the cinema alone- is also infrequent. A gesture of a filmmaker.
Las Tierras del Cielo
Director