Aymeric Schoens

In the maternity ward, Céline awaits the arrival of her first child. It is Jeanne, her partner, who will bring her into the world. At night, in the entrance hall of the hospital, she meets men who are waiting, like herself.

Nancy, East of France. Summertime. Seeking to escape her troublesome family environment, Sophie, 15, jumps at the chance to get the spare keys to her wealthy friend Jade's house. While enjoying the spacious home she thought deserted for summer, she bumps into her friend's older brother Stéphane, who, as fate would have it, was also planning on staying. But instead of chasing her out, Stéphane will choose to leave the door open as an invitation to a summer Sophie never expected.

Sasha crosses Marseille from her building on the city's heights to the port. On her way, she encounters men's insistent glances. The city is beautiful, lively, sunny, concrete. Sasha's walk is a tangle of glances, strained silences, and city gusts. Arriving at the Mucem pier, she waits for someone who doesn't come.

Since 18th October 2019, the streets of Santiago de Chile have never been empty. The people on the street demand dignity. By increasing the price of the subway tickets, President Piñera’s government has unleashed a social crisis unseen since the 1970s.

In the middle of summer 2001, in a small village in Burgundy, a film crew was about to shoot the first images of Jean Luc Gromer's new film, when suddenly the camera was torn from its foot and stolen by two young local teenagers: Joe and Patrice.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Samuel and Agnes are blocked in an elevator just after Agnes has stolen Samuel's bag. In this enclosed space with no exit, the attacker and victim confront each other, before finally letting their masks drop.

No men left on earth, only maintenance programed robots. Mikki, the robot from the Opera Garnier is not an exception. Every night, at nightfall, he projects on the stage mysterious pictures of a dancer, as a last memory of mankind.

Two bored extras from the ‘Tristan and Isolde’ opera roam the underground of the Garnier Palace.

Анна не успевает на рейс в Барселону, где она должна была встретиться с Грегом. Осуществлявший этот рейс самолет разбивается. Избежав смерти, Анна уходит прочь от реальности, а Париж становится зеркалом ее волнительного состояния.

An actor and a director find themselves alone for the first time after a bad experience shooting a film. An opportunity for both to discuss the reasons working together was disastrous and the origin of their relationship malfunctions.