Karla Matta

Chile, 1983. Gladys is a brave young woman who lives in La Victoria, a marginal neighborhood of Santiago with her mother and daughter during the Pinochet dictatorship. One day they receive a young missionary, Samuel Thompson, who, with his camera, records how the population lives in such an adverse scenario.

A 14-year-old skeptical young man one day discovers that everything he knows about his father is a lie.

Three theater students, influenced by a professor and French theorist Antonin Artaud's acting technique, begin to experiment with their own lives, searching for real emotions and situations to bring onto the stage. Their obsession with becoming better actors leads them to their darkest sides, surpassing boundaries that neither they nor their teachers could ever imagine.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

Javier is Spanish and is married to Laura, who is Chilean. They have a six year old son, living in Chile and enjoy a prosperous economic position. The three are, at last, on vacation in Spain, because Laura seems to have overcome a problem of claustrophobia that prevented her from traveling. The family moved to a camp, near the home of Javier's parents. There they meet Ignacio, a handsome young man, a friendly neighbor. But not everything is as nice as it seems at first sight.

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

Four stories, four women; four women struggle for the liberation of their souls.

In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria. She later shows up at his office and the passion continues, against his better judgment. Soon, Andrés is entangled in sex, lies, videotape, and blackmail. His relationship with Rosario, his fiancée, is strained, he neglects his work, and there's a dead body in a bathtub. A pimp, a whore, a doorman, a receptionist: where are the decent people?