Mercedes Sampietro

Year 1998. Isabel, a journalism student, is forced to do her internship in the newspaper of a small Galician coastal town in order to finish her degree. When she arrives, she wants to start investigating as soon as possible, to demonstrate everything she has learned in order to become a real journalist. But the position she is assigned is the last one she expected: the writing and management of the obituaries that reach the newsroom. But this, which might seem boring at first, becomes the door to an investigation that will take her through different parts of the Spanish geography in search of an impossible love story.

In a globalized world where youth and technology reign supreme, three aged friends refuse to give up and dare to launch a business from scratch: a daycare center. But is modern society ready enough to embrace their venture?

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

A family reunites to discuss the selling of their beloved house, but their secrets threaten to overwhelm them as they come to light.

Emma is 50 years old and twenty who acts corrections officer. Her life revolves around the jail where he works and her home. Without leaving his loneliness, her order and her almost obsessive routine, lives locked in a reality that has been built for she.

Three characters meet on a winter night at a bus stop and attend to the abandonment of a dog. Mila, a teacher who has been a year off after being attacked by one of his students. Celso, security guard, married, father of a child with serious economic problems, about to learn that is going to be father again, but this time with twins. And Valeria, a cello student, with a murky relationship with her family and her love. The three set out on a journey that will take them to confront their fears and frustrations and to make each a decision that will change their lives.

Испания, начало 1970-х. Сальвадор Пуч Антик — обычный студент из Барселоны, умный и весёлый парень, который любит красивых девушек, посиделки в барах с кружкой пива, хорошую музыку и интересные книги. Но ему выпало жить в фашистском государстве, и он не готов закрывать глаза и стоять на коленях. Сальвадор и его друзья берут в руки оружие и превращаются в лихих грабителей банков, а все захваченные деньги идут на подпольную борьбу с преступным режимом Франко.

The "edad de la peseta" or silly age is the term used in Cuba for the pre-adolescent period from the age of seven to the age of eleven. Set in 1958 in Havana, the year that culminates the Revolution, ten-year-old Samuel has just arrived in town with his recently divorced mother. They take up residence in the house of his eccentric grandmother Violeta, and Samuel is introduced to a new, mysterious world where Samuel finds himself an adult in comparison to his child-like mother.

An accidental meeting between a French woman who goes to South America to adopt a baby and an Argentinian woman who with her small son leaves their hopeless village in search for a better life changes both of their lives forever.

За несколько дней до коллективной гей-свадьбы сплетаются судьбы пятерых женщин, чьи сыновья готовятся вступить в брак. Судья Элена отвечает за церемонию, хозяйка гостиницы Магда — за прием гостей и банкет. Правда, свадьба под угрозой срыва из-за забастовки в отеле. Другим матерям тоже не сладко: нимфоманка Райс больна, состоятельная Рейс сходит с ума по жениху ее сына, Офелия на грани банкротства. Три дня жизни этого блистательного женского ансамбля, такого разного, но в чем-то похожего…

A metaphorical tale about pain and loss. Sela, a famous writer, committed suicide. Lars, her ex-lover, tries to find out why she did it. In the process, he discovers an unknown world of feelings and sense of guiltiness.

Барселона, 1913. На сегодняшний день Альма, возможно, самая современная женщина. Ее муж, доктор Леон Пардо - психиатр. Этим летом он поехал в Вену и стал последователем революционного учения доктора Зигмунда Фрейда. Все начинается с того, что, вернувшись домой, Альма застает своего мужа в слезах и решительно настроенного исчезнуть из ее жизни, как и из жизней других тоже. Не дав никаких объяснений, Леон выбегает из дома, бросив одну Альму, которая должна скоро родить. В Альму безумно влюблен Сальвадор, муж ее сестры. Поэтому он соглашается помочь ей, несмотря на то, что логика подсказывает ему, что его могут поджидать крупные неприятности. Единственным ключом к происходящему является рукопись об истерии и женской сексуальности, в которой описывается жизнь четырех пациенток. Взяв эту рукопись в качестве путеводителя, Альма и Сальвадор начинают расследование в стиле Шерлока Холмса, в котором переплетаются любовь, опасность и все вообразимые запреты...

Daniel, an ex-convict, tries to get back at his corrupt father-in-law by kidnapping his own son and hiding him in an abandoned town where they are producing American westerns. Daniel will have to face a vile father-in-law, an ex-wife that stalks him, as well as a falling actor in order to carry out his vengeful plan.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm near Villa Dolores to reduce their expenses. Fernando comes up with the idea to grow lavender and sell the oil to the perfume industry.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

Eight stories about women, adapted from the book "Women" by Isabel-Clara Simó.

Paloma is a young psychiatrist, who is hired to work as a director of a clinic in Galicia, and is attracted to Mario, her very first patient. He suffers from a rare form of amnesia, commonly known as Korsakov's syndrome. As a result, both his short and long term memories are affected, and he has temporary lapses of perception. However, Paloma finds Mario to be a fascinating individual, not just a regular patient. Intrigued, she decides to explore Mario's past and, through their dialogues, their relationship takes an unexpected turn.

В центре сюжета Диего — доктор, который заводит отношения с женатым мужчиной и ставит его брак под угрозу краха.

Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.

When three estranged sisters, Gloria, Ana and Lidia, meet up again on the death of their mother, Adela, they find themselves obeying her somewhat eccentric last wishes. Though their mother has spent the last 30 years without uttering a single word, she has left very clear written instructions of what she wants done after her death.

Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.

Dengue is a shy, innocent and passionate boy. Without realizing it, he becomes victim of a plot to extort his father. The cause is Candela who lures him into fall in love with her.

While some people need to be surrounded by friends to be happy, Carmen (Mercedes Sampietro) is perfectly content by herself, pursuing her vocation as an art restorer. But her bubble of isolation is punctured when she becomes the survivor of a violent assault. Shaken by the incident, Carmen decides she needs a break from it all. So begins a soul-searching journey that takes Carmen back to her hometown in southern Spain, where she contemplates the joys and sorrows of her past.

After the Second World War, the United Nations has declared the blockade of Franco's Spain. In this historical context, for a time little known, lies the story of the widow of a Spanish army captain.

A man is released from an asylum. He lost his memory and is in search for a woman he might have killed.

Волк-одиночка, борец за свободу басков колесит по Испании, чтобы найти убийц своего брата. С гитарой за спиной и «пушкой» за поясом, он идет по пятам своих заклятых врагов. Его сердце не знало ни жалости, ни любви, пока он не встретил прекрасную Росио - танцовщицу из таверны «Белая голубка». Любовь всех делает уязвимыми. Жажда свободы, пламя страсти и ледяное дыхание смерти - переплелись в бешеном ритме фламенко.

History about hate and passion between two gypsy families.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

A nun teacher that is going to die decides to travel around Spain to meet her 3 favorite students to ask if she learned something from her teaching period.

A parody of Frankensteinian stories. It is a story of a little boy, an orphan who arrives at the Castle of Count Frankenstein - a world inhabited by mysterious and sometimes a bit ridiculous scary creatures. Although each one of them is different, they all share one thing: they feel lonely and they are desperate for a little love and affection.

This adaptation of Geothe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

Carvalho goes to Galicia to meet his daughter.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Victor is the engineer who has set up the Nuclear Power Plant Zapater. Alongside his professional problems he also hasa difficult family situation: a divorce, a teenage homosexual son, a relationship that is not satisfactory, the emergence of a new woman. With just a few days to the inauguration, Luis Maria, an engineer close friend of Victor, responsible for a serious accident in the past and addicted to alcohol, warns of the possibility of a malfunction of the plant. Nothing guarantees the truth of this warning, but to find it out the inauguration is suspended

A woman recovering from the death of her husband suspects that her house has been invaded by demonic spirits. She summons a paranormal expert to help her get rid of them.

Bernabe (José Sacristán) works as an artistic director for a publicity firm but his avocation is fawning after his bosses, sleeping with whomever might advance his career, and ignoring his wife. Life continues on in this vein until he meets a young model whom he invites up to his boss's temporarily vacant country house, pretending the house belongs to him. Not very far away, bulldozers and other machinery are clearing the beautifully wooded area so construction can start on an amusement park. Little does Bernabe realize that his potential new conquest is a seriously fanatical environmental advocate, and she arrives at the house with friends, gets Bernabe high and "out of it," and then she and her friends proceed to trash the construction machinery. Once Bernabe comes around again, he finds out what has happened, loses heart for his planned sexual escapade, and begins to appreciate his wife for the first time.

Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.

A woman nearing her forties, Andrea Soriana, has always pushed aside personal questions and romantic relationships in pursuit of professional success. Now a major illness forces her to reconsider her life--work, family, friendships, men-- causing a psychological and emotional crisis pushes her toward a drastic decision.

Persecuted by her controlling ex-husband, Rosa plots an escape

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.