Gautam Nair

Парень Сави задолжал 5 миллионов. Попытки девушки спасти положение одна за другой оборачиваются неудачей, и время не на её стороне.

Недавно овдовевший водитель проехал за рулем фуры больше 500 000 км. Но из-за появления стажера он рискует потерять работу, которая занимает главное место в его жизни.

Назир — хороший человек, которому живется непросто: работы много, а денег мало. Несмотря ни на что он остается оптимистом, любит жену и пишет стихи. Назир живет в Индии. И он мусульманин, а их в Индии меньшинство. Для большинства Назир — человек второго сорта, чужеродный элемент, не вписывающийся в концепцию «одна нация, одна страна, одна религия». Он живет в атмосфере нетерпимости. Это мир на грани катастрофы.

Mrs. Sharma is the wife of a respected, small-time government employee in Allahabad. When her husband dies, she is expected to move in with her son and grandchildren. But the woman wants to live by herself. She stops going to the temple, buys herself things without worrying about the expense, makes friends with a girl half her age and chooses to spend more time with her new friend than with her family. When Mrs. Sharma decides to learn doll-making with a Muslim tailor called Ali, the entire locality, including her own family, slowly turn against her.

An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar

This film explores various aspects of litterateur and painter Ram Kumar's personality by structuring the film around his stories and paintings, traveling between fragments of his past, present, fiction and imagery. It strives of etch out the synthesis of word and image in Ram Kumar's creations, presenting it as a portrait of the artist himself. The text used in the film is from various short stories by Ram Kumar.

When a gallery of paintings becomes emptied of its spectators, the curtains raise within the paintings.

The giant wheels of the city grind thousands between them. A young boy from a chicken farm and a housekeeping girl in a luxury hotel - each one must give the other strength to try and escape this fate, as nameless chicken continue to feed the city slaughterhouses.

The giant wheels of the city grind thousands between them. A young boy from a chicken farm and a housekeeping girl in a luxury hotel - each one must give the other strength to try and escape this fate, as nameless chicken continue to feed the city slaughterhouses.

The 18th century Pahari miniatures illustrating the verses of 'Gita Govinda' by the poet Jayadeva, are also loving and intimate portraits of the verdant landscape of the Kangra Valley. Nature becomes a primary actor and the director focuses on the alchemy of the 'transformation of nature in art.'