Jaak Ollino Jr.

After 27-year-old Karmen's father dies, the security structures of her previous life start falling apart, as her relationship with her half-brother Viktor also deteriorates, and she faces the darkness and emptiness of the universe.

It's the summer of 1990. The Soviet Union is teetering on the verge of collapse, while the little Baltic nations struggle to take back their lost independence. The Soviet Union's basketball championship is set to begin on the backdrop of a deeply divided society. The Estonian team Kalev faces a momentous decision. With Estonian independence seemingly within reach, a rising tide of public opinion opposes the Estonian national team's participation in the USSR's championship. That would contradict the people's aspirations for liberation. As professional athletes, the team makes the unpopular choice. The championship games start.

Nobody could have imagined that one day we would be forced to be isolated in our homes. That the police are roaming the streets, telling people to stay indoors. That the streets are silent and empty. That our relationships are tested with the simple inevitability of being together 24/7 in the same space. We all experienced something, whether it be painful or reflective, but it changed us. An international phone line was opened and people left messages reflecting their feelings, thoughts and experiences. 22 filmmakers from 15 countries united to make a visual-philosophical documentary of isolation.

Utopian ideals fall victim to the foibles of human nature in this feature documentary from Estonian director Margit Lillak.

Заключенный, отбывший наказание за убийство своих родителей, впервые за долгие годы встречается со своей сестрой. Вместе они отправляются в безмолвную поездку, которая раскрывает причины трагедии давних лет.

Joachim is 25 years old. His charming smile veils the daily battle he fights within himself as he struggles to manage a heroin addiction. He smokes everyday and tries to quit almost every other. He hates the drug and the control it has over him, but it removes his pain. His loneliness. After years locked in a cycle of abuse, Joachim is on the verge of a breakdown. He gets an unexpected call from his ex-girlfriend, Maria. She's been arrested and is worried about their 5-year-old son, Lukas. Joachim hasn't seen Lukas since he was born, and she begs Joachim to take care of Lukas until she's released. Without much of a choice and thinking it will only be for a few hours, Joachim agrees. To his own surprise Joachim wants to keep Lukas. He wants a reason to be the person he thinks he is - a responsible man. A sober man. A father.

Фильм основан на фактах биографии легендарного эстонского фехтовальщика и тренера Энделя Нелиса (1925-1993). Спасаясь от НКВД, молодой эстонский фехтовальщик, призванный в свое время немцами в армию, бежит на родину в крошечный Хаапсалу, где начинает обучение школьников искусству фехтования. Однако прошлое настигает его, и Эндель встает перед выбором: остаться с учениками, добившимися права выступать на соревнованиях в Ленинграде, или снова отправляться в бега.

В фильме рассматриваются военные события, происходившие в Эстонии в 1944 году, в период от июльских боёв в Синимяэ до ноября, когда полуостров Сырве был уже завоёван войсками Советской Армии. Война показана глазами участников событий с обеих враждующих сторон - эстонцев, которые воевали и на стороне немецкой армии в 20-й эстонской дивизии Waffen-SS, и в составе 8-го Эстонского стрелкового корпуса Советской Армии. Для жителей Эстонии это была война, в которой каждый делал свой личный выбор. Именно с таким нелёгким выбором сталкиваются главные герои картины - солдаты противоборствующих сторон Карл Таммик и Юри Йыги - а также их сослуживцы, родные, близких и совсем незнакомые люди...

If you've been hit, one day you'll hit back. If you aren't loved, you won't love anyone, either.

“Landscape with Many Moons“ is a drama about a middle-aged man who lives a seemingly ordinary life with his wife and children. The truth is, however, that their relationship has reached a dead end but they prefer the illusory decorations of living together to the free fall into emptiness. The man gallivants around between his previous and current relationships without knowing exactly what to do with them. Living on the edge starts to overburden his nervous system and as a result, actual reality and dream-like reality blend together and it becomes ever harder to distinguish between what is real and what is not.

In her fondest dreams, this film’s main character Leila (Riina Maidre) is a resplendent singer. In reality, however, all her energy and talent is spent on relationships that eat away at her soul, mind-altering substances, and glamorous showing-off. Heleri defies the rules. By playing with the possibilities of the art of film, she takes the viewer to an uneasy universe where the boundary between reality and illusion is incredibly thin. This is a world that is familiar to everyone who at some point in their life had to grow up and admit to themselves that dreaming is not enough on its own. And who have regardless of that chosen dreaming.

Aggivald, 23, is living in a suburban boiler-house that is fuelled by books - books without endings. The biggest passion for the young man is to write a new ending for each book. Aggivald doesn't know that his family has a story of its own, a story that reaches back to the Soviet time and has no ending either.

A stranger who wanders to a desolate farm is captured and accused of arson. If the man is guilty, it would be fitting to judge over his life right there. But what if the man is innocent?

Обычная эстонская школа, выпускной класс. Парень по имени Йозеп постоянно терпит насмешки и издевательства со стороны одноклассников. Никогда не отвечая на выпады, он провоцирует их заходить в глупых «шутках» всё дальше и дальше, до тех пор, пока за него не заступился один из бывших насмешников — Каспар. В классе начинается противостояние, которое постепенно накаляется, приближая неминуемую развязку…

A fake historic epic on the Middle Ages and Estonia's not-so-glorious past.