Francisco Costa

Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.

An old house withers away at the heart of a village ripped in half by a road where cars no longer stop. During the dictatorship, this building was the most progressive Catholic seminary in Portugal. António, the front door neighbor, was brought up and raised a family in its shadow. Ever since the Dominican priests left, he has been its most faithful caretaker - keeper of ghosts, memories, and hallways now emptied of life. Abandoned for years, the town's former epicenter now hopes for a new life.

With this trip, an intergenerational sharing begins: with Portugal present as a backdrop, the director and a little daughter wander as if in question, trying to understand the country of today.

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

Documentary by Rui Simões, which celebrates the 20th anniversary of Expo 98, one of the biggest exhibitions that Portugal hosted

Built in the New State to control the overseas students, the House of the Students of the Empire, situated in Lisbon with delegations in Coimbra and Porto, was fundamental in the fight for independence of the Portuguese colonies. Future leaders of the Liberation Movement, like Agostinho Neto and Amílcar Cabral, passed through this meeting point. The documentary The House restores the memories of the testimonies of the survivors of the House, fictionalizing in parallel excerpts of Pepetela´s “The Generations of Utopia”.

A couple looks to mend their relationship and build a new home in the Azores.

40 years later, Rui Simões returns to São Pedro da Cova to exhibit the photographs he took during the directing of São Pedro da Cova's films. From this reencounter a new message to the centralised powers: now it's toxic waste that is threatening people's health. 40 years later. From coal to waste, the fight goes on.

A documentary filmed during the shooting of Os Maias - (Alguns) episódios da vida romântica, the cinematic adaptation directed by João Botelho of the homonymous novel by Eça de Queirós. Following the cast in and out of scenes of the period film In-Between Scenes takes on its role as an extension to the history of the Maias family, exposing the lies of cinema, moving in between reality and fiction.

Documentary about the work and life of António Ole, one of the most notable contemporary artists from Angola.

Мигель снял в баре девушку Лилу, предварительно напоив и накурив её, после чего привёз для секса в дом своего друга. Когда Мигель среди ночи ушёл, его место в постели с девушкой занял хозяин дома. Девушка проснувшись утром, ничего не помнит, кроме того, что приехала туда с Мигелем. Она знакомится с хозяином дома и снимает у него комнату. Постепенно они влюбляются друг в друга, но появляется большая проблема в этих отношениях - беременность Лилы. Она думает, что беременна от Мигеля, но её ждёт сюрприз.

A film that takes place in another movie

Letters from Angola is a voyage into a forgotten past where several stories intersect - that of Angolan-born filmmaker Dulce Fernandes and those of the Cubans who fought in the Angolan war. A journey through today's Cuba, the film uncovers the lost connection to a land left behind and it's a poetic reflection on the fragile place of the individual in the midst of the tectonic movements of history.

Frei Gualter is sent by S. Francisco de Assis to Guimarães around 1213. The devotion to this franciscan friar started to rise and in 1577 the brotherhood of S. Gualter is created. The Gualterianas are celebrated since 1906, the new way of celebration in honor of their patron.

We only understand some behaviour when we duplicate them involuntarily.

Live concert of the Irmãos Catita and friends at the Ritz Club, in 1996, Very Sentimental Show. Includes bonus concerts: Cinearte 1993, and Queima das fitas Coimbra 1994. The roots of the Catitas' spirit are buried deep down the origin of time. Spread like Polibas around the World, starting from its own center of balance, elsewhere in the elevator of Grand Hotel Curia, raised by the "madrastas", a kind of so-called religious female-educator, spread amoung the Christian World, and whose main educational tool is the stick, the Catita brothers became early "stars" within the various orphanage they frequented, from French Polynésie to San Marino's Republic, through Casa Pia and the various holiday camps of the former New State, today refered to as Old State.

Private Tango is the result of complicity between the interpreters and the camera. The movements initially choreographed adapt and reinvent themselves in an improvisation where the camera also becomes her interpreter.

Documentary about "Madrugada" show: On the eve of 25th of April, 1999, took place at Praça do Comércio, in Lisbon, the performance of "Madrugada", a creation of the Theatre O Bando, commissioned by the Lisbon city council to commemorate the 25th Anniversary of the "April Revolution".