Lisbon Attorney and former DA Eduardo Silva never got over the death, two years ago, of his wife valentine in a car crash. When he and his gypsy assistant Marcia Amaya hear crime baron Tiago Zarco is arrested having been found over the corpse of the massive pharmaceutical fraud case, she's surprised like the DA that Eduardo offers to defend Zarco, who accepts while keeping his uncooperative right hand-lawyer on, even if that solves their law firm's dire financial state. Silva seems prepared to risk his lawyer license for vengeance on the monster who had an affair with Valentina, yet refuses to look away from indications that Zarco hasn't committed or ordered the murder, but sets a risky trap for those fiends, which proves extremely difficult and dangerous.
Two years after consorting with the wrong people cost him his job as public prosecutor, Eduardo Silva is a measly defense attorney, who works from his hotel room. Loosing a bit from her fellow-angler uncle, he gives a shot as unpaid apprentice to freshly-graduated gypsy Marcia Amaya, whom nobody would consider hiring so far, but is soon offered crossing to the office of Silva's successor as prosecutor. Their first client is common-as-muck Joana Soares, accused of murdering her beached-up husband after a public fight, without an alibi, claiming a blackout. Eduardo is countered while working out, with help from Marcia's and Joana's families, how the affair actually relates to illegal trade in medicine, with twists including the involvement of a crime lord.
Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.
I mean it would be nice if we really could grow forever, but what if infinite growth on a finite planet is a fairy tale? Maybe it's hard to see if you already grow at such an exhilarating speed. Nonsense facts mixed with history and a political opinion form an abstract narrative on three independent but interwoven levels.
Angelina Maccarone's intense drama deals with the obsessive relationship between a confused teenager and an elder woman. Elsa Seifert successfully works as probation officer, but the relationship to her longtime companion is in trouble since their common daughter moved out. Then she gets to know Jan, a 16-years-old offender, who frankly offers to submit himself sexually to her. Although being shocked in the beginning, Elsa gets more and more attracted by the young man...
