Woman in Betting Room (uncredited)
Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.
(as Nanci Lecchini Giovannoni)
Colleague of Cerioni
Комиссар Сантамария расследует убийство архитектора Гарроне. Вскоре расследование заводит его в высшие круги туринского общества. Комиссар подозревает некую Анну Карлу, в которую он влюбляется…
invitata al matrimonio
In this intellectual drama, Ras (Eli Wallach) is a ruler or dictator who, somewhat like the Biblical King David, covets another man's wife as his own. Unlike David, however, Ras wants to humiliate Marcello (Nino Manfredi), a dedicated musician whose life he has already ruined. He forces Marcello to seek an annulment to his marriage through the Vatican.
Madre di Marco e Andrea
1936. In a village in the Bassa Padana, a beautiful and shapely forty-year-old girl is aunt of some boys in the middle of their sexual maturity.
Mother of Giorgio
Two spouses, whose marriage is shipwrecked, recall during a last meeting, scenes and episodes of their life as a couple.
The story of a young. beautiful and very frustrated woman screwing everything in sight in every possible location. She is married to a famous choreographer. She has everything material she wants: clothes, a fancy home, jewelry, servants. Except one thing: her husband refuses to have sex with her because she wants to get pregnant and have a child.
Amelia (uncredited)
Trastevere is a 1971 Italian comedy film. This is the first and only film directed by actor and screenwriter Fausto Tozzi. The film was heavily cut by producer Alberto Grimaldi, who cut off the roles of Umberto Orsini, Martine Brochard and Riccardo Garrone.
Party Guest (uncredited)
Журналист Марчелло — наблюдатель и участник всех эпизодов жизни итальянской элиты конца 50-х годов. Женщины как тени сменяют друг друга, не задевая его чувств, даже явление американской кинодивы Сильвии, воплощения сексуальности и порока, не выводит его из ступора. Внезапное самоубийство его друга Штайнера, пришедшего к мысли о бессмысленности их жизни, приводит Марчелло к катарсису, но надолго ли…
